Contemporary architecture in China : houses [English/Chinese Bilingual ed.] 9787538177930, 9781619870789, 7538177930 [PDF]

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中国 当代 建筑 大系



性、多样性、可选择性和可改造性提出了更高的要求，所以在增加住宅有效供给的同时，大力提高住宅的功 能质量是住宅建设发展的大趋势，而在设计中注入人性关怀的内容同样显得重要。“以人为本”的设计理念 更加注重构建人类居住空间与自然环境之间的联系，从而赋予住宅除满足“遮风挡雨”功能之外更加深刻的 意义。从建筑师的角度出发，业主的要求以及住宅发展趋势无疑给他们带来了全新的机遇以及更多的挑战。



住宅



CONTEMPORARY ARCHITECTURE IN CHINA



随着我国经济的迅猛发展以及科技日新月异的变化, 人们已不再满足于一般意义上的居住概念，对其舒适



HOUSES



The book, Houses , aims to investigate the relationship between dwelling space and natural context and to summarize the development trend of residential design in future China by collecting projects of renowned local designers. Each project in the book is illustrated with beautiful images, delicate drawings and a detailed description to showcase the innovative ideas of the designer in a clear and systematic way.



中国 建筑 当代 大系



住宅



With the rapid development of economy and tremendous changes of technology in contemporary China, people are no longer satisfied with the existing living conditions and they raise higher demands towards comfort, variety, selectivity and adaptability. From that point, in addition to ensuring the supply efficiency of houses, it is increasingly important to improve the functional quality in residential space design. The “human-oriented” concept pays more attention to building relationship between dwelling space and natural context, satisfying the basic functions of houses and at the same time endowing them with a deeper sense. From the perspective of designers, the requirements of clients and developing trend of houses bring more opportunities and challenges for them.



CONTEMPORARY ARCHITECTURE IN CHINA



HOUSES 张雷/编



《中国当代建筑大系—住宅》一书，通过收录中国本土知名建筑师的经典住宅设计案例，展现中国住宅设 计现状，探讨住宅与环境之间的关系，并从中总结出中国未来住宅设计发展趋势。书中收录的每一个案例都 给与详尽的介绍，图片、技术图以及文字相结合的方式将设计师的理念与思想清晰而系统地呈现出来。



辽宁 科学技术 出版社



鄢格/译



Edited by ZHANG Lei Translated by YAN Ge



辽宁科学技术出版社



中国 当代 建筑 大系



性、多样性、可选择性和可改造性提出了更高的要求，所以在增加住宅有效供给的同时，大力提高住宅的功 能质量是住宅建设发展的大趋势，而在设计中注入人性关怀的内容同样显得重要。“以人为本”的设计理念 更加注重构建人类居住空间与自然环境之间的联系，从而赋予住宅除满足“遮风挡雨”功能之外更加深刻的 意义。从建筑师的角度出发，业主的要求以及住宅发展趋势无疑给他们带来了全新的机遇以及更多的挑战。



住宅



CONTEMPORARY ARCHITECTURE IN CHINA



随着我国经济的迅猛发展以及科技日新月异的变化, 人们已不再满足于一般意义上的居住概念，对其舒适



HOUSES



The book, Houses , aims to investigate the relationship between dwelling space and natural context and to summarize the development trend of residential design in future China by collecting projects of renowned local designers. Each project in the book is illustrated with beautiful images, delicate drawings and a detailed description to showcase the innovative ideas of the designer in a clear and systematic way.



中国 建筑 当代 大系



住宅



With the rapid development of economy and tremendous changes of technology in contemporary China, people are no longer satisfied with the existing living conditions and they raise higher demands towards comfort, variety, selectivity and adaptability. From that point, in addition to ensuring the supply efficiency of houses, it is increasingly important to improve the functional quality in residential space design. The “human-oriented” concept pays more attention to building relationship between dwelling space and natural context, satisfying the basic functions of houses and at the same time endowing them with a deeper sense. From the perspective of designers, the requirements of clients and developing trend of houses bring more opportunities and challenges for them.



CONTEMPORARY ARCHITECTURE IN CHINA



HOUSES 张雷/编



《中国当代建筑大系—住宅》一书，通过收录中国本土知名建筑师的经典住宅设计案例，展现中国住宅设 计现状，探讨住宅与环境之间的关系，并从中总结出中国未来住宅设计发展趋势。书中收录的每一个案例都 给与详尽的介绍，图片、技术图以及文字相结合的方式将设计师的理念与思想清晰而系统地呈现出来。



辽宁 科学技术 出版社



鄢格/译



Edited by ZHANG Lei Translated by YAN Ge



辽宁科学技术出版社



HOUSES 住 宅 Author: Lei Zhang Print version (Hardcover) - 2012 ISBN 9787538177930 Published by Liaoning Science & Technology Publishing House Shenyang, Liaoning, China eBook version - 2012 ISBN 9781619870789 Published by Profession Design Press Co., Ltd California, United States of America Distributed by Actrace, LLC, United States of America Website: www.actrace.com, www.design-bookstore.com Copyright©2012 Liaoning Science & Technology Publishing House License agreement: www.design-bookstore.com/auxpage_license Unauthorized copying prohibited. 作者：张



雷



纸质书（精装）- 2012 书号：9787538177930 出版商：辽宁科学技术出版社 中国辽宁沈阳 电子书 - 2012 书号：9781619870789 出版商：设计专业出版有限公司 美国加州 经销商：Actrace 公司，2012 网址：www.actrace.com,www.design-bookstore.com 版权所有：2012 辽宁科学技术出版社 版权协议：www.design-bookstore.com/auxpage_license 严禁非法复制。



CONTEMPORARY ARCHITECTURE IN CHINA



中国 建筑 当代 大系 住宅



HOUSES 张雷/编



鄢格/译



Edited by ZHANG Lei Translated by YAN Ge



辽宁科学技术出版社



FOREWORD



House is undoubtedly considered as the most common, important and special architectural form. The conscious behaviour of dwelling symbolises the beginning of construction activity in human history. At the same time, the evolution and development of dwelling space chronicles the growth of human civilization.



endeavour to improve the living environment and to satisfy modern living requirements. Cases selected in this book are good examples to show efforts they have made.



Family is the “cell” of human society and house as the “container” of family life is the physical home for all the dreams of human beings. In Western countries, architects are educated to begin their careers from designing small houses. Usually, after graduating from school, students majoring in architectural design are required to communicate with clients about their requirements and work on site in order to improve the abilities to perceive life and deal with materials and details. Through years of practicing, they gradually have a clear and deep understanding of daily life demand and architectural designs, which lays a solid foundation for their later careers to meet bigger challenges.



In the past 20 years, the urban society has experienced rapid yet extensive development in China. In that period, simple and superficial imitation of foreign styles is hotly pursued in residential design. The main reasons for that are developers’ interest in quick profit and lack of values and aesthetic accomplishiment. Besides, more attentions are paid on public architecture design and less systematic research into residential design has been made in a long time. Excellent residential projects are relatively few and not being promoted in effective ways. However, selecting residential projects that embody global outlook and sustainable, cultural and modern living modes, this book elaborates the diversified living requirements in contemporary China and is worth reading.



People do not have their own land under the specific land policy in China, and thus they cannot design their own houses completely. However, architects manage to create “dream home” for clients to realise some of their dreams for living. In addition, more and more architects



Zhang Lei Chief architect of AZL Architects Professor at School of Architecture and Urban Planning, Nanjing University Director of Architectural Design and Research Institute



前



住宅是最基本、最常见，也是最重要、最特别的建筑类型，有意识的 居住行为标志着人类建造活动的开始，住宅建筑的发展也印证了人类文明 的进步历程。 家庭是人类社会的细胞，住宅是家庭生活的物质容器，也是所有人类 理想的物质归宿。西方经典建筑教育中建筑师的培养便是从设计小住宅开 始的，建筑学生从学校毕业以后，参与到设计工作之中，从和业主交流设 计要求和使用需求开始，到施工过程中不间断的工地服务，不断积累感知 生活的敏锐度和处理材料与构造细节的能力。通过一个个项目的磨练，理 解生活需求认知设计问题，年复一年夯实职业基础。最终在通过小住宅项 目积攒足够的专业能力之后,有能力去面对更大规模更复杂的设计挑战。 中国特定的土地政策，使得个人无法拥有土地并按照自己的意愿设计 自己的住宅。即便如此，对家的向往还是让我们看到书中列举的一些项目 以变通的方式，在某种程度上实现了自己的生活理想；而在本书中更多的 我们看到了一些开发项目在满足当代中国生活需求、改善居住环境方面所 作的积极探索与努力。 中国社会和城市经历了过去二十多年快速粗放的发展，对外来文化简 单的、表面的外在模仿是这一时期住宅设计呈现的重要形态特征。“欧陆 风”的肆虐固然有开发商急功近利、价值观缺失、美学修养不足的原因；



言



但也反映了设计界长期以来重公建轻住宅，对住宅这一重要建筑类型缺乏 深入的系统性研究；适合中国当代生活的优秀住宅作品相对较少，并且优 秀的作品未能得到及时有效的传播的状况。这本书中选择的案例，为我们 展示了具有国际视野和可持续性文化意义的新的居住方式，在空间上诠释 了当代中国新的多样性的居住需求，值得一读。 张雷 张雷联合建筑事务所 总建筑师 南京大学建筑与城市规划学院 教授 建筑设计与创作研究所 所长



CONTENTS



008



CONCRETE SLIT HOUSE 混凝土缝住宅



014



POETS RESIDENCES 诗人住宅



022



CIPEA NO.4 HOUSE CIPEA 四号住宅



026



WATER HOUSE 淼庐



032



WELL HALL 蓝田井宇



038



THE CONCAVE HOUSE 凹舍



052



MENG-HOUSE 孟宅



060



CAI GUOQIANG COURTYARD HOUSE RENOVATION 蔡国强四合院改造



070



FATHER'S HOUSE 父亲的宅



082



THE SQUARE HALL IN SCENERY: A PRIVATE RESIDENTIAL HOUSE RECONSTRUCTION PROJECT IN BEIJING 风景中的方厅——北京私人住宅改造项目



090



KUNMING EXPO ECO-TOWN INTEGER PROJECT 昆明世博生态城INTEGER（IN的家）



104



SPLIT HOUSE 二分宅



110



MANDARIN PALACE C1 VILLA 九间堂C1型别墅



120



THE HOUSE A+B OF THE LUSHI MOUNTAIN VILLA 庐师山庄别墅A+B



006



目



132



录



MANDARIN PALACE, SHANGHAI 上海九间堂



138



MOUNTAINSIDE VILLAS 观山悦



156



TANG VILLA 观唐贰



166



CR LAND SUZHOU VILLA 平门府



174



THE BAY, PHASE I 涵壁湾花园一期



182



FRAGRANT HILL QINGQIN 香山清琴



188



LAKE SIDE 鹭湖



196



THE MERGED-IN-MOUNTAIN HOUSES OF SPRING VALLEY RESORT BEIJING 北京中信国安会议中心默山宅



206



MOMA WANWANSHU 万万树MOMA



220



LONGSHAN XINXIN TOWN BEIJING 北京龙山新新小镇



230



QINGHUA VILLAS PHASE I 中山市清华坊一期规划



242



ARKADIA 无锡协信阿卡迪亚



248



ZHENGZHOU NEW UNITED TOWN 郑州联盟新城



256



INDEX 索引



007



CONCRETE SLIT HOUSE



Nanjing, Jiangsu Province ZHANG Lei, MENG Fanhao, CAI Menglei, LU Yuan, TANG Xiaoxin 混凝土缝之宅 江苏省 南京市 张雷，孟凡浩，蔡梦雷，路媛，唐晓新 Gross Floor Area: 270m2 Completion Time: 2007 Architect: ZHANG Lei, MENG Fanhao, CAI Menglei, LU Yuan, TANG Xiaoxin Photographer: Iwan Baan 建筑面积：270平方米 建成时间：2007年 建筑设计：张雷，孟凡浩， 蔡梦雷，路媛，唐晓新 摄影师：伊万·本



The project is located in Nanjing city and differs from the surrouding houses built in the 1920s in style. Architects choose concerete rather than grey brick as the main material and create an abstract form. The deck in the outside courtyard, floor inside as well as wall and ceilings are completely covered with wooden stripe (2 inches long), making it rich in nostalgia. The Z-shaped glass slit brings aboundant sunlight into the interior, forming the main feature of the entire house. The logical rationality of the Concrete Slit House can be expressed through the following points: the integrity of the interior elements, the harmony of the functional and spatial system, the transparency of the exterior façade and interior surface, the continuity between architecture and the surroundings, and the relationship between architecture and the paved site. The staircase inside divides the interior into two parts and stands out from the entire structure, making the two parts vertically detached and forming a fissure. A zigzagging band of glass cleaves the 2,900-square-foot house in two and brings daylight inside. Slit is used to link the two parts with half floor height difference: a 2-floor-height living area and a 1.5-floor dining area, both of which can overlook each other. Located in a historical neighbourhood in Nanjing and surrounded by grey-brick houses with a history of 100 years, the house differs in textile from the surroundings but shares the same quality in essence. The cast-in-place concrete wall and the precast façade and roofing emphasizes the division of the two parts and the fissure is stressed at the same time to form an external contrast between the house itself and the surroundings.



008



Site Plan 总平面图



1



009



2 住宅位于南京市，周围房屋都始建于20世纪20年代，所以它的风格同 周围房屋截然不同。设计师并未使用灰色砖头作为材料，而选用水泥创造 了一种抽象的房屋形式。屋外院落的地板和屋内的地板，墙壁和天花板铺 上了两英寸长的木条，为房屋增加了一种怀旧的色彩。住宅上的Z字型似裂 缝式玻璃结构使这个建筑更具特点，同时也使自然光线可以照射入屋中。 混凝土缝之宅理性的逻辑结构主要表现在如下几个方面: 内部空间要素 的自洽；功能体系与空间体系的契合；内外面层的透明；建筑与环境外在 肌理的连续；建筑与地表的关系。



设计将楼梯对应的两个朝向的外墙局部内缩并使其透明化，其结果是 通过光线、附近空间的层次区分和尺度差异，将楼梯从整体中独立出来， 并且导致左右两组垂直单元拉开距离并形成裂缝。裂缝把不同的房间加以 分离，前后两部分也由此可以相互观望。因此，所有的空间序列都开始流 动并变得立体化和视觉化了。身处敏感的民国文化保护区，面对周边近百 年历史的青砖洋房，缝之宅小模板混凝土在肌理上有着神秘的差异和本质 的呼应，现浇墙面和预制屋面极少主义式的交接突出了前后二个体量的分 裂，于是裂缝被进一步强化并发挥了出人意料的作用，在主体和环境之间 设置了外在的、最终的对立。



Southeast Elevation 东南立面图



3



010



4 1. Aerial view 2. View from southeast 3. Front elevation 4. Aerial view of northeast elevation 5. Southeast elevation 1. 鸟瞰 2. 东南立面 3. 正立面 4. 东北立面鸟瞰 5. 东南立面



Section 剖面图



5



011



6 6. Staircase 7. Sitting room 8. Study 6. 楼梯 7. 起居室 8. 书房



012



7



8



Ground Floor Plan: 1. Outdoor wooden deck 2. Bathroom 1 2



一层平面图： 1. 室外木平台 2. 卫生间



1



013



POETS RESIDENCES



Gaochun, Nanjing, Jiangsu ZHANG Lei, SHEN Kaikang, ZHANG Ang 诗人住宅 江苏省 南京市 高淳县 张雷，沈开康，张昂 Gross Floor Area: 580m2 (Ye Residence), 860m2 (Wang Residence) Completion Time: 2007 Architect: ZHANG Lei, SHEN Kaikang, ZHANG Ang Photographer: Iwan Baan, Nacasa & Partners 建筑面积：580平方米(叶宅)+860平方米(王宅) 建成时间：2007年 建筑设计：张雷，沈开康，张昂 摄影师：伊万·本，仲佐写真工作室



Owners of the houses are not rich men, but they cherish countryside life as other ordinary people in China. Now, their dream is realised after a long time of pursuit. The main material of red brick, popular in local area, is produced by the nearby brickkiln and the construction team are local farmers. Thus, the budget of the entire house is 800RMB/m 2 . Architects and owners interact actively through the entire process. The residences are more a project that makes common people’s dream towards countryside life come true than a design work that belongs to architects. Located by Shijiu Lake in Gaochun County, Poets Residences are owned by two poets who are friends as well. The site enjoyed a strong local flavour with a brick kiln to produce terracotta brick for nearby residences. The design adopts the theme of “courtyard” which is expressed in the site plan and interior spaces. The two houses are respectively designed with two different layouts: courtyard enclosed on three sides and courtyard enclosed on four sides. In addition, the functional spaces can be arranged in the shape of right angles as well as in a linear way for the sake of the expansive site. The various and continuous circulation lines for communication, movement, relaxation and exhibition composed the main elements of the interior which are as well the rational choice under the low technique condition.



Site Plan 总平面图



014



The key feature of the two houses is of course the exterior wall: the main structure is closely wrapped up with red brick to highlight the local style. Three different textures of brick made up the façade. An interlocking pattern leaves perforations between bricks and protruding bricks cast shadows along the wall. Windows punctuate the texture and the brickwork along the edges of these portals further develops abstract geometric relations while remaining loyal to the structural logic.



1



015



Section of Ye Residence



1. Living room in Ye Residence 2. Aerial view of east elevation of Ye Residence 1. 叶宅起居室 2. 叶宅东侧鸟瞰



2



016



叶宅剖面图



和许多中国普通老百姓一样，住宅主人并不富有，却怀有田园式的生 活梦想。由于使用了邻近砖窑生产并为当地一直沿用的红砖为主材，施工 也由当地农民施工队完成。因此，每平方米800元便完成了全部室内外工 程。整个建设过程伴随着建筑师和业主之间有效的互动，诗人住宅与其说 是建筑师作品，不如说实现了普通老百姓追求未来田园生活的憧憬。 诗人住宅是两位诗人朋友的工作室兼私人居所，位于乡土色彩浓厚的 南京市高淳县凤山石臼湖边，周围有砖窑，供应农居修建所需的红砖。设 计延续了“院落”主题，体现在总平面和内部空间上，两幢房子各采用三 合院和四合院布局，分别对应西面及北面的湖面。开阔的基地使建筑功能 以直角空间和线形序列等方式自由布置。大量且连续的交流、交通、休闲 和展示动线成为建筑内部循环的主体，是有限条件下的合理选择。 诗人住宅的外表是设计的重点：砖表皮将建筑严实的包裹起来，强化 其材料的在地性。每一处墙面都是空洞、凹半砖和凸半砖两至三种砌法的 混合。三种密度的砖肌理和无规律的窗洞共同进行着蒙德里安式的抽象编 织，揭示了看似无序的窗洞隐藏在表皮形式背后立体主义的秩序。



017



3



3. Entrance to Wang Residence 4. East elevation of Wang Residence 5. Courtyard facing the lake, Wang Residence 6. Brick wall of Wang Residence 7. Dining room in Wang Residence 8. Sitting room in Wang Residence 3. 王宅入口 4. 王宅东侧 5. 王宅面湖庭院 6. 王宅砖墙 7. 王宅餐厅 8. 王宅起居室



5



018



4



6



019



7



020



8



021



CIPEA NO.4 HOUSE



Nanjing, Jiangsu Province AZL Architects CIPEA 四号住宅 南京 张雷联合建筑事务所 Gross Floor Area: 500m2 Completion Time: 2010 Architect: AZL Architects Design Team: ZHANG Lei, Jeffrey Cheng, WANG Wang, WANG Yi Photographer: AZL Architects 建筑面积：500平方米 建成时间：2010年 建筑设计：张雷联合建筑事务所 设计团队：张雷，Jeffrey Cheng，王旺，王昳 摄影师：张雷联合建筑事务所



China International Practical Exhibition of Architecture is sited by the Buddha’s Hand Lake near Pukou Ancient Mountain and Forest Park. A collective of 24 renowned architects from China and other countries all over the world were invited to design four public buildings and twenty detached residences. Furthermore, each residence was required to have at least five bedrooms with bathroom and the total area was not more than 500 square metres including living room, dining room and other public spaces. The main function of the residences was for family holiday and business reception.



1



022



The No.4 House designed by AZL Architects adopted the vertical layout which was not commonly seen in the construction of mountainous house. The volume of 500 square metres was divided into five cubes, stacking and forming a four-storey structure. The design was not only corresponsive to the special typology of the site, but also preserved the exsiting forest and the hillside land to a large extent. The transverse fissures between every two connecting cubes were enlarged at a special place on every level to frame the beautiful sceneries outside. What’s more, the sceneries changed seen from different angels through the “fissures”, a modern expression of the traditional Chinese landscape painting being unfolded horizontally but in a three-dimensional way.



2



023



Site Plan



总平面图



1. Bedroom rendering 2. North elevation 3. Bird’s-eye view from southeast 4. Roof terrace 1.卧室效果图 2. 北立面 3. 东南侧鸟瞰 4. 屋顶平台



3



024



3 4 1 3



2 1



East-West Section 东西侧剖面图



2



N



0



1



5m



Ground Floor Plan: 1. Entrance 2. Bedroom 3. Bathroom 4. Dining room



中国国际建筑艺术实践展(CIPEA)坐落在南京浦口老山森林公园附近的 佛手湖畔，项目邀请了来自中国和世界各地的24位建筑师参与设计，其内 容包括四幢公共建筑和二十幢小住宅。每幢小住宅设置不少于五个附带卫 生间的卧室，再加上起居和餐厅等公共空间，建筑面积控制在500平方米以 内，用于家庭度假和商务接待。



一层平面图: 1. 入口 2. 卧室 3. 卫生间 4. 餐厅



First Floor Plan: 1. Master bedroom 2. Bathroom 3. Bedroom



二层平面图： 1. 主卧室 2. 卫生间 3. 卧室



方案选择了山地小住宅不常见的垂直布局，将500平方米的体量分解 成五个立方体叠为四层回应特定的地势，尽可能控制建筑基底的开挖范 围，基本保全了北面的山林和坡地。四层建筑体量以贯穿横向裂缝的分离 呈现垂直叠加的痕迹，裂缝在每层特定的位置扩大形成景框，通过观察方 式的改变重新塑造了周围的景致，是传统中国山水绘画横轴展开的当代立 体主义表现。



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WATER HOUSE



Yuhu Village, Lijiang, Yunnan Li Xiaodong Atelier 淼庐 云南省 丽江市 玉湖村 李晓东工作室 Site Area: 3,000m2 Gross Floor Area: 1,200m2 Design/Completion Time: 2004-2005/2006-2009 Architect: Li Xiaodong Atelier Construction Supervisor: HE Yaoquan Photographer: Courtesy of the architect Client: Xu Material: Wood, stone, concrete, steel Structure: Steel frame 占地面积：3000平方米 建筑面积：1200平方米 设计/建成时间：2004-2005年/2006-2009年 建筑设计：李晓东工作室 工程监理：和要全 摄影师：图片由建筑师提供 业主：徐 材料：木制，石头，混凝土，钢材 结构：钢质框架



The Water House is a private house located at the foot of snow mountain Yulong in Lijiang. Sitting on a wide open sloping site, which has a panoramic view towards Lijing ancient town and the surrounding landscape, the house has an open yet closed courtyard space. Closed in the sense, it is “secured” and “separated” physically from the "outside world” by design elements such as stone wall, reflective pool and levelling; yet it is open visually towards the outside environment. The low profile architectural language by using local materials and simple “non-experimental” tectonic skills is meant to blend the “artificial” into nature and local culture. Here, focus is given to space and atmosphere. Emphasis is put on local-texture and non-decorative detailing. The idea is to make the house a background, from which, nature could be appreciated to its extreme.



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Besides the steel structure designed by a professional project team, the remaining of the construction was finally done by local experienced villagers, not simply to reduce the total cost, but as a clear message of regional engagement with architectural practice in the local context.



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2 淼庐是一个私人会所，坐落在云南丽江郊外、雪山脚下，房子在山坡 之上，坐山拥水而建。建筑的坡屋顶与山势相和，中有水院，外有水池环 绕，三块水面像盘子一样将建筑托起，和四面山景一齐，从内到外为建筑 创造了全角度的视野。 玉龙雪山脚下是一片开阔的平野，四周有山环绕，前方有玉湖水库。 斑驳的火成岩和绿树清水相映，为这一块地区提供了丰富的颜色和质感。



附近的村落建筑受到传统文化风格影响，大多数是传统院落式的布局— 一般是封闭内向的。回顾中国的传统院落，无论是北方的四合院还是南方 的天井式住宅，建筑边界几乎皆是以墙壁为主，使得景色深藏于院中。这 种内敛而且含蓄的建筑法则专注于营造建筑内部的空间关系，却与外界的 山水天际保持着对立的姿态。在此地，建筑则必须回答周围景观环境所提 出的特殊挑战— 如何在平野之处能够安然独立，更与周围景色相和并纳 之以为己用。



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Master Plan 总平面图



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1. The house floating on the river 2. General view 3. Cobble path and stone wall 4. View from the pool 5. Yulong Mountain as the background 6. Courtyard 7. Sitting room 1. 浮在水上的“住宅” 2. 淼庐全景 3. 鹅卵石小路与石头墙 4. 水池方向看周围景观 5. 玉龙雪山的背景环境 6. 庭院 7. 起居室



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WELL HALL



Lantian, Xi'an City, Shaanxi Province MADA s.p.a.m. 蓝田井宇 陕西省 西安市 蓝田 马达思班 Gross Floor Area: 192.8m2 Design/Completion Time: 2005/2005 Architect: MADA s.p.a.m. Design Team: MA Qingyun, SUN Dahai, WANG Shan Photographer: Courtesy of the architect 建筑面积：192.8平方米 设计/建成时间：2005年/2005年 建筑设计：马达思班 设计团队：马清运，孙大海，王山 摄影师：图片由建筑师提供



By these changes, the architecture can reflect the surrounding landscape context with exotic flavour and adjust itself to the exotic way of life. The "Well Hall", with the length extended and the wall much heightened, reflects the landscape of surrounding mountains and rivers in scale. Consequently, its two courtyards look much longer and narrower. The lower half of the north wing-room is hidden in the shadow, which is in sharp contrast with another half that is exposed to the shining sunlight. Under sunlight and shadow, homogeneous materials show different textures and tones.



Master Plan 总平面图



The Jade Valley Winery is located in the county of Lantian, to the southwest of Xi'an City, between the Qingling Mountain Range and the Guanzhong Loess Plateau. As the accessorial guestroom building for Jade Valley Winery, the "Well Hall" presents a time-space splicing between indigenous style and exotic life, which over throws the inheritance system for history and traditional culture. Situated on the top of a plateau, the "Well Hall" imitates the civilian house in Guanzhong area, which features small-bay living rooms, wing-rooms with single slope roof, and few narrow and long courtyards. Based on these features, the architect makes some changes in the "Well Hall" with regard to extension of the scale, layers of the surface and transition of the functions.



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“Fabrication” is applied to the surface of the "Well Hall". The two skin layers, inner bricks in red and outer bricks in grey, are “weaved” together by interlaced header bricks. The grain of the rough wall surface and the resulting blocky shadow moderate the highness of the wall, which makes the architecture friendlier. The fabrication is applied to the exterior wall only, while the two inner courtyards are partitioned just by a common brick wall. Therefore, it seems that the architecture is “wrapped” by the surface. As a result, the inner courtyards become a space of “internalized exteriority”. The building materials for the Well Hall are all from the local area. Builders are villagers from neighbouring villages, who implement the construction according to MADA s.p.a.m.’s design sketch, remarks and teaching-bydoing demonstrations. During this process, emphasis has been put on the specific locus rather than the locality and indigenousness, which makes the architecture a specific individual. With regard to the individual architecture, the design based on the local context, and the construction, are the two aspects of the independent creation. On one hand, the design concept is obtained from the local culture from a macro-view; on the other hand, the Well Hall is constructed according to the specific locus and functions from a micro-view, which makes it be in harmony with the surrounding environment and the village life.



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2 玉川酒坊是一个以葡萄酒坊为主体的文化艺术栖居之所，位于西安城 西南的蓝田县玉川镇，地处秦岭与关中平原的交界。“井宇”作为玉川酒 坊的附属客房，其建筑呈现出本土风格与异乡生活的时空拼接，颠覆了传 统文化历史传承机制，在设计与手工的结合中构筑出新生活方式的滥觞。 “井宇”坐落在一座土塬之巅，据高俯远。“井宇”以关中乡间民 居为类型蓝本。关中俗语把当地民居的特点概括为“房子半边盖”，厢房 一律采用单坡，厅房开间小，庭院窄长，院落数目少。针对这个窄院高 墙、青砖灰瓦的传统，“井宇”从尺度的延展、表皮的层次与功能的变通 切入，在这几个层面加以侵蚀与扰动，使建筑摆脱单纯的文化标示，呼应 周边带有异乡色彩的景观环境，借以容纳外来的生活方式。“井宇”的纵 向被拉长，墙体增高了许多，在尺度上与周围映山带河的风景互相呼应。 “井宇”内的两进院子因此显得更加狭长，北侧厢房的下半部被掩在阴影 中，与烈日照射下的另一半形成强烈的对比。影之下同质的材料平添了不 同的质感与色调，蓝田独特的丽日艳阳随之介入而成为一种建构元素。



1. Courtyard view 2. General view 3. Courtyard view 1. 庭院内景 2. 井宇外观 3. 庭院内景



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5 “井宇”的表皮作了“织造”处理，形成以红砖为内侧砖，灰砖为外 侧砖的两道皮层，再被交错的灰红丁砖缝合在一起，形成一种“编织”的 效果，赋予表皮质感与纵深。墙面的凹凸产生细碎的纹理与斑驳的光影， 消解了高墙超人的尺度，使得建筑物更有亲和感。“井宇”内院两进院落 之间的隔墙则是由普通的灰砖墙隔开，织造手法只应用于外墙处理上，使 编织的表皮呈现包裹状态。而“井宇”内部的庭院也顺势成为一种户内的 室外空间，由此暗示着马达思班对传统庭院的解读角度。



4-6. Detail of brick wall 7-8. Detail of courtyard corridor 9. View of windows from inside 4-6. 砖墙细部纹理 7-8. 庭院内廊局部 9. 暗处看窗子造型



“井宇”的建造材料完全取自当地。匠人是邻村老乡，他们依照设计 草图、标注及手把手的演示进行施工。这一过程使本土被还原成为此地。 强调此地这个具体场所后，地域和乡土在概念上丧失了延展性— 从抽象 转为具象，使建筑成为具体的个体。针对该个体，从此地状况入手的设计 及施工构成了自主性创作的两个环节。先入为主的、文化符号式的类型成 为设计的形式来源；施工中的此地性消解了类型的宏观角度，从场所与功 能的微观角度塑造了具体的建筑，使“井宇”与周边自然环境及村落生活 得以融合。设计师更力图通过在工匠参与制造墙体这一过程，潜移默化地 消解砌墙垒砖的本地建构传统，从民间这个“内核”颠覆民居这一类型。



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THE CONCAVE HOUSE



Benxi, Liaoning Province Tao Lei Architectural Studio 凹舍 辽宁省 本溪市 陶磊建筑工作室 Site Area: 5,000m2 Gross Floor Area: 3,000m2 Design/Completion Time: 2007-2008/2010 Architect: Tao Lei Architectural Studio Photographer: Tao Lei Architectural Studio Client: FENG Dazhong 用地面积：5000平方米 建筑面积：3000平方米 设计/建成时间：2007-2008年/2010年 建筑设计：陶磊建筑工作室 摄影师：陶磊建筑工作室 业主：冯大中



Design Background This project, including multiple functions such as residence, studio and gallery, is specially designed for Mr. FENG Dazhong who is a prestigious artist in China. The site is located at the downtown area in Benxi, Liaoning Province, facing mountains which turn into the best landscape view for this project. With the aim of relieving the conflicts between the fast pace of urban lifestyle and the peaceful mind of the artist, this project is intended to create a harmonious internal space and interaction between nature and architecture. The building is neither constructed for public nor purely for private purpose. Therefore, it requires not only a quiet living space for the artist but also a dynamic gallery space for visitors. As a whole the building is filled with profound cultural experience. Design Concept The "Ao" (凹) Shape The building is inspired by the Chinese character 凹, which means concave. The shape is a cube with all side roofs inclining downwardly to the centre. Three inter-connected yards create the atmosphere with all views pulled into the internal of the building. This concept also coincidentally matches a traditional Chinese housing design mode. The roofs are designed to block out the vision of buildings surrounded so that when people stand at the platform in the middle of the rooftop, they can only feel the sky, the moon light, themselves, and the time passing by.



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Master Plan 总平面图



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The Inner Courtyards Within the brick cube, the artistic creation of the Academy Courtyard the Bamboo Courtyard, and the Mountain Courtyard has made the interior space unique and full of surprise while the exterior is stable and serious. These yards are like Chinese lantern lightening the rooms surrounding them and creating a dramatic atmosphere. This design originates from traditional Chinese building mode and culture but uses a modern way of expression and regional criticism to reconsider traditions, which lead to the result of an oriental modern architecture. The Brick Skin Since the site is located in Northeast China, thermal insulation becomes crucial. A custom-made 600mm long brick can solve this problem and the colour makes people feel warm. Being different from the rough and hard character of the single brick, the skin is specially designed as a translucent coating which has openings grow out and fade away. It forms a network of tension and blurs the boundary between interior and exterior. The Twin Walls The twin walls create the entrance of the building, also acting as the courtyard walls that clarify the boundary. The inner wall which is parallel to the building uses the same design method as the translucent building skins. The outer wall is solid and draws the boundary line of the site. These walls form a triangular water garden pointing to the entrance and the concrete entrance extends out from the walls creating a sculptural space.



Diagram of Architectural Function 建筑功能分析



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South Elevation



East Elevation



南立面图



东立面图



North Elevation



West Elevation



北立面图



西立面图



4 1. Concave roof 2. Bird’s-eye view 3. Outdoor terrace on the first floor 4. Dining room on the southeast 1. 凹形屋顶 2. 俯瞰凹舍 3. 二层室外平台 4. 东南角餐厅



设计背景 这是专为著名艺术家冯大中先生设计的住宅+工作室+美术馆。项目位 于辽宁省本溪市，地处主要城区，正前方能遥看山体形成的天然景观。此 建筑旨在解决快速发展的都市节奏与人文内心之间的冲突，希望在建筑中 创造一个静态的内部世界，再由内而外展开对外部自然的对话，发挥出建 筑的全部潜能。它既不是公共建筑，也不是完全意义上的私人空间，这个 建筑必将有其特殊意义，这就要求该建筑既要提供相对安静的创作与居住 空间，还要给访客一种恬静而深邃的文化感受，它需要一种温和的力量。 设计构思 1. 凹形屋面：建筑被设计成内凹的方形“砖盒子”，屋面凹形空间向中 心汇聚，与3个室内院连接成一个整体，巨大的空间张力把整个天空全部收纳 入建筑内部，并暗合了传统的“四水归堂”。屋顶中心设有可上人的木质屋 面，由于凹形屋顶对周边城市的屏蔽作用，形成了巨大的场所感—在此只 能看到远山、天空，还有夜晚那轮明月，感受四季轮回，感受自己的存在。



Section 剖面图



2. 屋中院：在这个方形“砖盒子”中，通过书院、竹院、山院的插入使 得其内部空间变得丰富而有诗意，形成了“屋中院”，使建筑成为了一个外 部严谨厚重而内部灵动的独立世界。插入的内院像灯笼一样点亮着整个室内 空间，自然光给建筑带来无限的戏剧性。这是在中国传统的空间意识、文化 意识及当下价值观的前提下去改变一些规则，营造一个东方式的内部空间。



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5 5. Entrance gate 6. Pond 7. Concave roof 8. Atrium 9. Rooftop terrace



5. 入户大门 6. 院内池塘 7. 凹形屋顶 8. 中院 9. 上人屋面



Detail (Right): 1. Antisepsis log with cross section width of 400mm 2. 100mm thick ballast grain sizes 30-50mm 3. Vegetable field 4. 100mm thick ballast grain sizes 30-100mm 5. Fireclay brick paving 6. 100mm thick ballast grain sizes 30-100mm 7. Slope for planting grass 8. Fireclay brick paving 9. Kiosk (proposal) 10. Lotus pond 11. Brick enclosing wall 12. Planting grass (160mm wide) 13.100mm thick stone flooring 14. Bare concrete enclosing wall 15. Planting 16. Lotus pond 17. Brick enclosing wall 18. 10mm thick steel retaining wall 19. Fireclay brick paving 20. Fireclay brick paving with patterns 21. Stone retaining wall 22. Refractory brick paving 23. Mount Tai Stone 24. Refractory brick paving 25. Slope for planting grass 节点图（右图）： 1. 防腐圆木截面宽400 2. 100厚机碎石粒径 30~50 3. 菜地 4. 100厚机碎石粒径 30~100，粒径由边缘向坡上逐渐变小 5. 粘土砖铺地（道路） 6. 100厚机碎石粒径 30~100，粒径由边缘向坡上逐渐变小 7. 堆坡 种植草 8. 黏土砖铺地（道路） 9. 亭子（待设计） 10. 荷花池 11. 砖砌围墙 12. 种植草皮(宽160) 13. 100厚石材铺地 14. 清水混凝土围墙 15. 绿化 16. 荷花池 17. 砖砌围墙 18. 10厚钢板挡土墙 19. 黏土砖铺地（道路） 20. 黏土砖铺地拼花（植草） 21. 毛石挡土墙 22. 耐火砖铺地（道路） 23. 泰山石 24. 耐火砖铺地（道路） 25. 堆坡（种植草）



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6 3. 砖表皮：结合东北寒冷地域性格，专为该建筑定做了色彩温暖且有着 良好保温性能的600毫米大砖。作为建筑的外维护应该有所表达，试图让这种 厚重且粗犷的材料呈现出其原有属性的相反方向。为此，将砖像拉伸的网眼 织物结构一样进行垒砌，放眼到整体便形成了建筑的不透明到透明的渐变， 获得了新的质感与张力。新的形式与中国传统建筑漏窗形成了通感。光线从 砖的缝隙里逐渐渗透到室内，这种渐变模糊了室内和室外的界限。



4.双层墙：外院入口处是双层院墙，外实内虚。外墙形状是用地决定 的，内墙为“漏”墙，它与建筑平行，在不规则的用地空间内二次划分为方 正空间，双墙之间便出现微妙的夹角，形成了空间的厚度与量感。渐变镂空 的内墙再一次切合了传统漏窗一样的功能和空间意境，不同的是创造了新的 空间质感。在入口处，双层院墙交汇，被清水混凝土顶盖整合成相对完整且 具有雕塑感的视觉空间。



Conceptual Diagram 概念示意图



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Architectural Analysis Diagram 建筑分析图



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10 10-13. Interior 10-13. 室内



Exhibition Hall 展厅



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Ground Floor Plan: 1. Exhibition hall 2. Bathroom 3. Atelier



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一层平面图： 1. 展厅 2. 卫生间 3. 画库



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First Floor Plan: 1. Main entrance 2. Front hall 3. Academy courtyard 4. Bamboo courtyard 5. Mountain courtyard 6. Terrace 7. Living room



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8. Atelier 2 9. Kitchen 10. Dining room 11. Bedroom 12. Bathroom 13. Garage 14. Pond courtyard 15. Activity room



二层平面图： 1. 主入口 2. 玄关 3. 书院 4. 竹院 5. 山院 6. 平台 7. 客厅



8. 2号画室 9. 厨房 10. 餐厅 11. 卧室 12. 卫生间 13. 车库 14. 池院 15. 活动室



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14. Inner courtyard 15. Detail of staircase 16. Gallery 14. 内院



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15. 楼梯细部 16. 展厅画室 4



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Second Floor Plan: 1. Atelier 1 2. Academy courtyard 3. Bamboo courtyard 4. Mountain courtyard 5. Terrace 6. Atelier 2 7. Exhibition room 8. Book storage



三层平面图： 1. 1号画室 2. 书院 3. 竹院 4. 山院 5. 平台 6. 2号画室 7. 展厅 8. 书库



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MENG-HOUSE



Ji'nan, Shandong Province Tao Lei Architectural Studio 孟宅 山东省 济南市 陶磊建筑工作室 Site Area: 580m2 Gross Floor Area: 440m2 Added Area: 140m2 Design/Completion Time: 2008/2010 Architect: Tao Lei Architectural Studio Photographer: Tao Lei Architectural Studio 占地面积：580 平方米 原建筑面积：440 平方米 加建建筑面积：140 平方米 设计 / 建成时间：2008 年 /2010 年 建筑设计：陶磊建筑工作室 摄影师：陶磊建筑工作室



Background Meng-House, a reconstruction project for a private house, is located in the eastern part of a residential community in Jinan, Shandong Province, where there are mountain peaks providing a good view. The original house was just handed over. The community features Western style in architectural design. Based on the existing situation and the owner’s requirements, the architect managed to remodel the house in terms of architectural and landscape design. Feature of Idea The overall style and the function of Western-style community do not have an inevitable inner link with the local nature and the cultural atmosphere, so the reconstruction itself has not been limited to a certain style or pattern. The aim was to rebuild an appropriate relationship between the existing house and the surrounding landscape to improve the spatial quality. The



added structures of a wooden box and a glass box on different levels neither conform to the original house in style, nor contrast with it. They co-exist in a peaceful way. The design builds a link between indoor and outdoor spaces and makes full use of the site to bring the beautiful scene of mountains inside the house. What is more important, the owner has more space for different activities. Significance of Design From this project, architects may re-evaluate the significance of style and form of building for people’s life, and seek for an appropriate way to build comfortable residential spaces. On the basis of the original house, the architect rebuilt a space that satisfies the residents’ demands for healthy life and cultural pursuit. At the same time, the design proposes a question: is it significant to imitate Western architectural style in spite of local features and the age?



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2 设计背景 这是一个为私人住宅改建的项目，原建筑是刚交付的新房，位于山东 省济南市的一个联排别墅社区的东端，不远的高处有山峰，这里可以形成 一个不错的景观视角。该社区是随着中国商品住宅开发普遍模仿欧式建筑 风格的风潮而兴建的典型性商品住宅，在此基础上，为了满足业主的实际 需求和现状条件对原建筑和景观作了针对性的改建设计。



也没有在样式上标新立异。而是以并置的方式和温和的态度去营建新的空 间形态，在不同的楼层加建出一个木盒子和一个玻璃盒子，这是室内空间 向外的延伸，并试图发挥出该地段的全部地理优势，结合景观，让室内和 室外空间互动起来，让室内空间向外延伸出来，并与东部不远的山峰相呼 应，形成独特的内外关系，让内部空间放大到更远，让建筑的使用者拥有 更丰富的活动空间的同时，建筑本身却保持简单和朴素。



构思特点 仿欧式社区在整体风格和建筑的使用方式上与当地自然和人文并无必 然的内在联系，改建设计本身并不带有过多的风格和样式的设定，只是对 原建筑和外部环境进行了一次恰当的整合，使其具有更好的景观和室内外 的活动空间，提升建筑的空间品质。对于原建筑既定的事实，新加建的部 分并没有在风格上去否定或者肯定，设计上既不迎合所谓的仿欧式风格，



作品意义 通过对新商品建筑的改建，重新审视建筑的风格和样式对人的生活的 本质意义，并寻找一种符合个体真实生活内容的空间方式，在原建筑的基 础上重建符合自身文化特性的生活理念和健康自由的起居方式。并以此为 契机提出对中国商品住宅现状的一种质疑，质疑盲目简单模仿不明地域和 时代的建筑风格对人居环境的意义。



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Elevation



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Model 模型



1. Added glass box 2. Wood elevation 3. Outdoor staircase 4. Outdoor wooden deck 5. Entrance 6. View from inside 1. 加建玻璃盒子 2. 木质立面 3. 室外台阶 4. 室外木平台 5. 入口 6. 从室内望去



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Detail Drawing (Below): 1. Solid wood backbone 2. Solid wood slat 3. 25mm solid wood slat 40x40mm wood backbone 15mm protective layer of mortar 50mm XPS plate Water-proof coating 9mm wood slat Reinforced concrete wall 4. Galvanized drain board 5. 25mm solid wood board



6. L45x4 steel angles with space of 1000 7. 150x150mm plain concrete pier 8. Insulating glass 9. 25mm solid wood slat 40x40mm wood backbone 15mm protective layer of mortar 50mm XPS plate Water-proof coating 9mm wood slat Reinforced concrete wall Steel beam



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10. 120x60x5mm steel squares 11. 10mm steel top board 12. J80x60x5mm steel squares 13. Refractory brick wall 14. Floor spring door 15. Floor spring 16. Outdoor bulk water 17. 30mm travertine coating 20mm cement mortar 100mm foundation concrete 300mm reinforced concrete slab



节点图（下图）： 1. 实木龙骨 2. 实木条板 3. 25厚实木条板 40×40实木龙骨 15厚砂浆保护层 50厚挤塑聚苯板 防水涂料 9厚木板 钢筋混凝土墙 4. 通长镀锌金属滴水板 5. 25厚实木板



6. L45x4角钢，间距1000 7. 150x150素混凝土墩 沿龙骨方向间距500 8. 中空玻璃 9. 25厚实木条板 40×40实木龙骨 15厚砂浆保护层 50厚挤塑聚苯板 防水涂料 9厚木板 钢筋混凝土墙 钢梁



10. 120x60x5方钢 11. 10厚钢板压顶 12. J80x60x5方钢 13. 耐火砖墙 14. 地弹簧门 15. 地弹簧 16. 室外散水 17. 30厚洞石面层 20厚水泥砂浆 100厚混凝土垫层 300厚钢筋混凝土板



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Ground Floor Plan: 1. Sunken courtyard 2. Tea room 3. Entrance 4. Activity room 5. Sun room 6. Storage 7. Pool 8. Outdoor terrace 9. Garage 10. Servant room 11. Laundry room



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一层平面图： 1. 下沉庭院 2. 茶室 3. 入口 4. 家庭活动室 5. 阳光房 6. 储藏 7. 游泳池 8. 室外活动平台 9. 车库 10. 保姆间 11. 洗衣间



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First Floor Plan: 1. Living room 2. Kitchen 3. Public bathroom 4. Dining room 5. Coffee room 6. Terrace 7. Observation terrace 8. Front hall



二层平面图： 1. 客厅 2. 厨房 3. 公卫 4. 餐厅 5. 咖啡间 6. 露台 7. 观景平台 8. 玄关



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1. Solid wood backbone 2. Solid wood slat 3. 25mm solid wood slat 40x40mm wood backbone 15mm protective layer of mortar 50mm XPS plate Water-proof coating 9mm wood slat Reinforced concrete wall 4. 25mm solid wood board 5. 25mm lining 6. L45x4 steel angles with space of 1000 7. 150x150mm plain concrete pier 8. 140x80x5.5mm steel I-column 9. 30mm travertine coating 20mm cement mortar 130mm reinforced concrete slab Steel beam 10. 25mm solid wood slat 40x40mm wood backbone 15mm protective layer of mortar 50mm XPS plate Water-proof coating 9mm wood slat Steel column 11. 10mm steel plate 12. Fine aggregate concrete 300mm reinforced concrete slab



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1. 实木龙骨 2. 实木条板 3. 25厚实木条板 40×40实木龙骨 15厚砂浆保护层 50厚挤塑聚苯板 防水涂料 9厚厚木板 钢筋混凝土墙 4. 25厚实木板 5. 25厚内衬板 6. L45x4角钢间距1000 7. 150x150素混凝土墩 沿龙骨方向间距500 8. 140x80x5.5工字钢柱 9. 30厚洞石面层 20厚水泥砂浆 130厚钢承板混凝土楼板 钢梁 10. 25厚实木条板 40×40实木龙骨 15厚砂浆保护层 50厚挤塑聚苯板 防水涂料 9厚厚木板 钢柱 11. 10厚钢板 12. 50厚细石混凝土 300厚钢筋混凝土板



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CAI GUOQIANG COURTYARD HOUSE RENOVATION Beijing ZHU Pei, WU Tong / Studio Pei-Zhu 蔡国强四合院改造 北京 朱锫，吴桐 / 朱锫建筑事务所 Site Area: 910.33m2 Gross Floor Area: 412.72m2 Design/Completion Time: 2006-2007/2007 Architect: ZHU Pei, WU Tong / Studio Pei-Zhu Design Team: HAO Xiangru, LI Shaohua, HE Fan Associates in Charge: LIU Wentian Structural Consultant: XU Minsheng Photographer: FANG Zhenning Client: CAI Guoqiang Floors: 1 Structure and Materials: Wood frame 占地面积：910.33平方米 建筑面积：412.72平方米 设计/建成时间：2006-2007年/2007年 建筑设计：朱锫，吴桐 / 朱锫建筑事务所 设计团队：刘闻天，郝向孺，李少华，何帆 合作设计：刘闻天 结构顾问：徐民生 摄影师：方振宁 业主：蔡国强 楼层：1层 结构与材料：木质框架



Abstract “Reinforce the old, introduce the new“ is the theme of the design. Old architecture was well respected and preserved. The house functions as a memory stick, recording every trace that history has made on it. The new addition with the metal façade made of titanium-aluminium alloy expressed a futuristic notion. Being put together with the old house, a dialogue was created between the old and the new. The three compartments that form the two courtyards were given three spatial themes. The north compartment was defined as a “three-dimensional installation”. The old wood structure in this room was exposed and expressed its strength. The middle compartment was defined as a “two-dimensional Chinese painting” - white walls dominate the interior, expressing a sense of relaxation and grace. The south room was defined as a “futuristic space”. The old and the new architecture both conflict and converse with each other. The visual and spatial penetration between the courtyards formed a symphony of tradition and future. Full Story This residence for an artist calls for the restoration of a historically significant classical Chinese "siheyuan" courtyard house, and a new addition within its compounds. This project was particularly challenging because of its site: situated very close to the Forbidden City, the addition had to be sensitive to its external surroundings, hutong neighbourhood, and internal courtyard configuration.



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Site Plan 总平面图



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2 The attitude the architects developed for this project was one of sensitive regeneration, where contemporary and modern buildings can symbiotically co-exist with traditional structures. Like many Chinese cities, Beijing’s historical core is succumbing to unrelenting "modern" development because of the difficulty in engaging traditional forms so steeped in history. Its modern uses are formalistically at odds with traditional contexts. However, modern structures can adopt their predecessors’ vocabulary, yet still serve modern functions. The original "siheyuan" was restored, using traditional materials, construction technologies, and local skilled craftsmen and builders. The double courtyard configuration was restored into a void that gives presence to the south-facing buildings. Because of disintegration over the years, the interior was replaced with the original types of floor tiles, wall surfaces, and structural exposure.



1. Courtyard 2. Veranda 3. Veranda view from inside 4. Courtyard 1. 庭院 2. 游廊 3. 从室内看外廊 4. 庭院



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The new building, however, was created as an object that floats in the larger south courtyard to face the traditional structures. In dialogue with its immediate predecessor, the new “invisible” building is both oppositional and complementary to the painstakingly restored houses. It is detailed to be independent from the existing courtyard walls so as to create as little impact as possible on the old structure; visually and physically light. Modern materials like glass and steel are used throughout the new building, so as to take advantage of their reflective properties to pay homage to the old. It contains new "modern" programmes like a flexible multipurpose space and an artist studio versus the fixed traditional programmes of the existing structure. Similarly, the light and invisible new building is in contrast to the heavy and commanding presence of the old. They complement each other in form, scale, and function.



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Ground Floor Plan: 1. Tea room 2. Living room 3. Master bedroom 4. Study 5. Bedroom 6. Courtyard 7. Corridor 8. Studio 9. Main entrance 10. Kitchen



一层平面图： 1. 茶室 2. 客厅 3. 主卧室 4. 书房 5. 卧室 6. 庭院 7. 走廊 8. 工作室 9. 主入口 10. 厨房



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6 5. Living room 6. Tea room 7. Screen 8, 9. Tea room



5. 起居室 6. 茶室 7. 屏风 8,9. 茶室



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10, 11. Courtyard after renovation 12. Courtyard view from inside 10,11. 改造后庭院 12. 室内看庭院景象



“凝固老的，注入新的”是该住所的主要概念，老建筑获得充分尊 重与保护— 就像一个记忆存储器，记录历史的每一刻在它身体所存留的 痕迹，新建筑钛铝合金的外表极具未来感，开启着新老对话的大门。构成 前后两院落的三排主房，被赋予三个空间主题，最北侧的北房被定义为： “三维装置”老房子的木构架暴露，苍劲有力；中间的北房为“二维的中 国画”内部以白墙为主，轻松而孺雅；南房为“未来空间”，新老建筑的 冲突与对话，院落之间的彼此渗透构成传统与未来的交响乐。 这是一个专为艺术家设计的私人住所，设计师需要对这个中国传统的 “四合院”展开一系列的修复工作，并在院内增建一个新建筑体。因为所处 的位置特殊，该项目非常具有挑战性，比如说：它距离紫禁城很近，增建的 部分对周围的环境氛围、临近的胡同及内部的庭院结构来说都十分敏感。 在这个项目中，设计师创造了一个“再生”的概念，尝试使当代的建 筑体与传统的结构得以共生。由于将传统形式融入当代城市的难度很大， 北京的历史核心正在屈从于冷酷的“现代”发展，传统形式的现代价值已



经与传统语境发生了偏离。但现代的建筑还是可以吸收那些曾经使用过的 语汇，同时仍提供现代的功能。 该项目使用了传统的材料、结构和技术，依靠当地有经验的手工艺人 和工人，传统的四合院被修复成原样。双庭院结构转变为展现南向建筑的 空间。由于年代太久，室内的空间在原始的地砖、墙面和袒露的结构基础 上进行了翻新。 新增加的建筑体，悬浮在较大的南院中，面对着传统结构的建筑，与 过去开启了一场对话。这个“无形的”建筑体与旧建筑相对抗又相补足。 它从院墙独立出来，因而对旧建筑产生了最小的影响且非常轻盈。玻璃和 钢等现代材料贯穿于建筑之中，它们通过自身的反射性向旧建筑表示着敬 意。相对于原建筑的固定结构和传统功能，改造后的住所包含了新的“现 代”功能，是一个具有弹性的多功能空间，用时又是一个艺术家工作室。 同时，轻盈而近乎无形的新建筑体与沉重而强势的旧建筑体也形成了对 比，又在形式、尺度和功能上形成了互相补充的效果。



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FATHER'S HOUSE



Lantian, Xi'an City, Shaanxi Province MADA s.p.a.m. 父亲的宅 陕西省 西安市 蓝田 马达思班 Site Area: 200m2 Gross Floor Area: 385m2 Design/Completion Time: 1992/2003 Architect: MADA s.p.a.m. Design Team: MA Qingyun, WANG Yinghui, CHEN Weihang, Satoko Saeki, Peter Knutson, James Macgill Landscape Design: MADA s.p.a.m. Engineer: MADA s.p.a.m. Contractor: FAN Zongqi (Exterior), Shanghai Dumiao Interior Decoration Co., Ltd. (Interior) Photographer: Courtesy of the architect Client: MA Peijie 占地面积：200平方米 建筑面积：385平方米 设计/建成时间：1992年/2003年 建筑设计：马达思班 设计团队：马清运，王莹辉，陈伟航， 佐伯聪子，柯必得，詹姆斯·马克基尔 景观设计：马达思班 工程机电：马达思班 施工队：范宗骐（室外）， 上海独妙装潢有限公司（室内） 摄影师：图片由建筑师提供 业主：马培杰



This is a house that the architect MA Qingyun designed and built for his father on his homeland. Jade Valley and Qingling Mountain Range are its backdrop which defines the whole territory with a vastly changing landscape, from steep mountain to mild slope from river valley to an infinitely expansive plateau called Middle Plateau. Father's House rests at an ambiguous position between the river (and smoothed stones) and the mountains (and coarse stones). Over time, the river pulls rock out of layers of mountain, offering an abundant source of building material. The relation between water and stone is so accurate that the size of stone correlates precisely to its colour and level of perturbation by the passing water. Reflecting the richness in stone variety, the house panels oscillate between concentrations of dark and light hues, rough and smooth textures. To maximise the stone application both in quantity and local construction methodology is the first and foremost principle of the design. To simplify and homogenise the construction is to minimise the non-local construction technique and mobilisation. Therefore, use of the alien (concrete) remains a minimal and distinct element whereas use of the local (stone and wood) is maximised. The stone is treated differently depending on where it occurs within the didactic realm of the concrete frame. This collision of rough, organic materials with highly regulated and spare form gives the house an ephemeral quality encased in distinctly modern formalism.



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2 这栋住宅是马清运为他父亲在家乡设计修建的。蓝田玉山和秦岭山脉作为“父亲宅”的背景，形成了整个区域内巨大的景观变化，从陡峭的山峰到和缓的 坡地，河谷甚至延伸到一个资源丰盛的中部平原。“父亲宅”坐落在河与山之间一个多重含义的地理位置，河水冲刷出光滑的石头，山谷产出粗糙的石头。年 复一年，河水将石头从山体层阶间冲刷下来，提供了建筑材料上的丰富资源。水和石之间的关系是如此精确，以至于石头的尺寸与它的颜色，还有它被流经河 水所冲刷的程度都精确相关，这反映出石头丰富的质地，由石头建造的房子因此在光和影的浓缩、粗糙和光滑间的密度间游离。将石头在质地和建造方法之间 的作用最大化是设计的首要原则。要简化和统一建材的方法是最小化非本地的建材流通。因此，使用外来的材料只能留下极少、极具差异性的元素，反之，使 用当地材料（石头和木料）就是最大价值。对待石头的不同方法取决于它在哪里出现，在理论说教的框架内。这种猛烈碰撞的有机物质经过排列和节俭，给了 “父亲宅”一个短暂的质地生命，包含在显著的现代形式主义。



1. Pond 2. View from distance showing the surroundings 3. General view 1. 小水池 2. 远景及四周环境 3. 全景



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4 4. Front elevation 5. Outdoor corridor 6. Detail of wall 4. 房子正面 5. 室外走廊 6. 墙壁细部



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Detail: 1. R.C. structure frame 2. Polished bamboo board folding shutters 3. Aluminium handrail matt black finish 4. R.C. floor slab elastomeric polished 5. Polished bamboo board door behind 6. Aluminium window system 7. Cobblestone wall behind 8. Cobblestone paving polished finish 节点图： 1. 钢筋混凝土框架 2. 抛光竹板折叠百叶窗 3. 亚光铝制栏杆 4. 橡胶覆层钢筋混凝土楼板 5. 抛光竹板门 6. 铝窗 7. 鹅卵石墙 8. 鹅卵石小路



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7 7. Cobble wall and floor covering 7. 鹅卵石地面及墙面



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Detail (Right): 1. Cast-in-place R.C wall 2. Vapour barrier 3. Local bamboo concrete formwork 4. Batt insulation 5. Polished bamboo board 6. Polished bamboo board 7. Plywood subflooring 8. Cast-in-place R.C floor slab 9. Ceiling duct space 10. Steel angle bolted to R.C structure 11. Cast-in-place R.C column behind Detail (Below): 1. Cast-in-place R.C wall 2. Local cobblestone 3. Non-corrosive tieback 4. Finish grading soil 5. Cast-in-place R.C wall 6. Ceramic tiles wall finish 7. Recessed underwater lighting 8. Water level 9. Ceramic finish 10mm 1:3 mortar Elastomeric waterproofing 20mm 1:3 mortar R.C slab C10 concrete slab Gravel bed Detail (Right Below): 1. Vapour barrier 2. Local bamboo concrete formwork 3. Batt insulation 4. Polished bamboo board 5. Steel angle bolted to wall 6. Fixed window 7. Folding door polished bamboo board 8. Cast-in-place R.C column 9. Steel angle tieback 10. Local cobblestone 11. Cast-in-place R.C wall 节点图（右图）： 1. 现浇钢筋混凝土墙壁 2. 防水层 3. 当地竹制混凝土模板 4. 绝缘层 5. 抛光竹板 6. 抛光竹板 7. 下层合板粗地板 8. 现浇钢筋混凝土楼板 9. 屋顶管道间隙 10.连结在钢筋混凝土结构 上的三角钢材结构 11. 现浇钢筋混凝土梁柱 节点图（下图）： 1. 现浇钢筋混凝土墙壁 2. 当地鹅卵石 3. 防腐系梁 4. 经处理沙土 5. 现浇钢筋混凝土墙壁 6. 瓷砖覆层墙壁 7. 水底嵌入照明 8. 水平线 9. 瓷砖覆层 10毫米 1:3灰泥 橡胶防水 20毫米 1:3灰泥 钢筋混凝土楼板 混凝土楼板 砂砾层 节点图（右下图）： 1. 防水层 2. 当地竹制混凝土模板 3. 绝缘层 4. 抛光竹板 5. 连结在墙壁上 的三角钢结构 6. 固定窗 7. 折叠门 8. 现浇钢筋混凝土梁柱 9. 三角钢系梁 10. 当地鹅卵石 11. 现浇钢筋混凝土墙壁



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9 8. Courtyard view from inside 9. Interior wall of bamboo sheet 8. 从室内看庭院景象 9. 竹片内墙



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Ground Floor Section (Left) and Plan (Below Left): 1. Courtyard 2. Living room 3. Dining room 4. Guest room 5. Bathroom 6. Kitchen 7. Study 8. Swimming pool



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一层剖面图（左图） 和平面图（左下图）： 1. 庭院 2. 客厅 3. 餐厅 4. 客房 5. 卫生间 6. 厨房 7. 书房 8. 游泳池



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First Floor Section (Left) and Plan (Below Left): 1. Living room 2. Dining room 3. Guest room 4. Bathroom 5. Kitchen 6. Study 7. Master bedroom 二层剖面图（左图） 和平面图（左下图）： 1. 客厅 2. 餐厅 3. 客房 4. 卫生间 5. 厨房 6. 书房 7. 主卧室



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THE SQUARE HALL IN SCENERY: A PRIVATE RESIDENTIAL HOUSE RECONSTRUCTION PROJECT IN BEIJING Beijing WSP Architects



风景中的方厅—北京私人住宅改造项目 北京 维思平建筑设计



Gross Floor Area: About 500m2 Design/Completion Time: 2010/2011 Chief Designer: WSP Architects Design Team: CUI Guangxing, BAI Yunxiang Landscape Designer: LI Zhe Photographer: CHEN Rao 建筑面积：约500平方米 设计/建成时间：2010年/2011年 主设计师：维思平建筑设计 设计团队：崔光星，白云祥 景观设计师：李哲 摄影师：陈尧



implement them in the entire construction process. Considering current domestic construction technology levels, designers provide face-to-face guidance to workers on site. The architectural concepts are mainly comprised of subjects below : courtyard in the scenery - hope to create a beautiful and traditional landscape building in harmony with nature; square courtyard in the city create a quiet courtyard in the residential community in urban area; brick wall in memory - arouse the memory about old Beijing in the childhood of the owner, with red bricks and green tiles; bamboo courtyard - traditional Chinese courtyard. From inner courtyard to backyard, from house to courtyard - a poetic residence. This is a private residential building located outside of Eastern 5th Ring, Beijing. The original residential house is located in a regular residential community and the owner is a middle-aged couple. As the family becomes large, the couple wants to live in the house with their parents and children, and the owner wants to have an open art workshop and public saloon to entertain friends.



A box made of glass and brick wall is added to the eastern side of the original building, so the bright space links the new and old building. Two French windows are in the eastern and western square hall as the living room. The newly-built building is situated on a sloping base, which is like a light hanging box owing to the special physical features.



The project is a work with the collective efforts of architecture, landscape and interior designers of WSP. Designers also experience a completely different way of work in the small reconstruction project, i.e. they collaborate with structure engineers, producers and construction workers and discuss relevant detailed elements intensively. Designers blend a great number of design ideas and concepts into every specific construction detail, and



The house design wonderfully combines two architectural forms, the modern architecture and traditional Chinese quadrangle, and the exterior glass wall of the building realises a boundless transition and blending of interior and exterior scenery. The landscape designer creates an open space effect of the courtyard by applying simple plant allocation, and meanwhile sets a natural private screen for the residential building itself.



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2 1. Close-up of south house 2. General view of north house 3. Dialogue of “old” and “new” in south house 4. Cantilever platform in front of entrance 1. 南侧院子特写 2. 北院全景 3. 南院新与旧的对话 4. 门前挑台



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5 5, 6. Transparent indoor space 5, 6. 室内外空间



Floor Plan: 1. Entrance 2. Outdoor staircase 3. Interior lobby 4. South courtyard



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原有建筑 新建筑



平面图： 1. 入口 2. 室外楼梯 3. 室内大厅 4. 南侧院子



该项目是维思平的建筑、景观和室内的设计师密切合作的作品，作 为一个小型改造项目，设计师也体验了一种完全不同的工作方法，即大量 地与结构工程师、生产厂家、施工工人协同工作，深入商讨相关的细节元 素。设计师将大量的设计思路与设计理念融入到每一个具体的施工细节 中，并贯穿整个施工过程，考虑国内目前的施工技术水平，设计师在现场 与工人进行面对面的指导。 这是位于北京东五环外的一个私人住宅，原住宅位于一个中规中矩的 居住区内，业主是一对中年夫妇，随着家庭的发展，希望祖孙三代共同居 住，而主人需要一个开畅的艺术工作室和公共的接待朋友的沙龙场地。 建筑的概念主要由如下主题组成，风景中的庭院— 希望创造一个优 美的中国传统的天人合一的景观建筑。城中方院— 在城市中，在住宅区 中，营造一个宁静的庭院。记忆中的砖墙— 唤起主人儿时的老北京的记 忆，红砖碧瓦。山水竹园— 中国传统的庭院记忆。从内院到后院，从房 子到院子—诗意的居住。 建筑所做的工作是在原有建筑的东侧增加了一个玻璃和砖墙的盒子， 新旧建筑中间以明亮的空间连接，拥有两大片落地的玻璃窗，分别位于方 厅的东边和西边，作为会客厅。新建建筑坐落在一块坡地基座上，由于地 势的特殊性，部分悬浮，犹如轻盈的悬盒。 住宅的设计巧妙结合了两种建筑形式，现代建筑的形式与传统的中国 合院式建筑的格局，建筑玻璃外墙的设置实现了室内外风景的无边界过渡 和交融。景观设计师用简约的植物配置为庭院营造出开阔的空间效果，同 时也为住宅本身设置了天然的私密屏障。



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8 7. Floating box, southeast elevation 8. Floating box, east elevation 9. North courtyard 10. Floating courtyard and overhanging wall 7. 建筑东南角悬浮方盒 8. 东立面悬浮的方盒子 9. 北侧院子的景致 10. 悬浮的院落与悬空的墙



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KUNMING EXPO ECO-TOWN INTEGER PROJECT



Kunming, Yunnan Province The Oval Partnership Ltd. / Integer Intelligent & Green Ltd. 昆明世博生态城INTEGER（IN的家） 云南省 昆明市 欧华尔顾问有限公司/INTEGER绿色智能有限公司 Gross Floor Area: 3,320m2 Design/Completion Time: 2008-2009/2010 Architect: The Oval Partnership Ltd / Integer Intelligent & Green Ltd. Photographer: Kerun Yip Client: Horti-Expo Xing Yun Real Estate Co., Ltd. (HEXY) 建筑面积：3320平方米 设计/建成时间：2008-2009年/2010年 建筑设计：欧华尔顾问有限公司/INTEGER绿色智能有限公司 摄影师：Kerun Yip 业主：云南世博兴云房地产有限公司



Expo INTEGER is a research programme. It aims to develop a sustainable housing and lifestyle model appropriate for the urbanisation of the western region in China. The project is the first eco-town in southern China. The INTEGER Kunming Project is located at a naturally vegetated site adjacent to the current International Horticultural Expo, on the north-eastern fringes of Kunming City. The Project comprises of four Intelligent and Green houses and a 2,000-square-metre Visitor Centre on a five-hectare site, to illuminate a vision for the adjacent 255-hectare development of some 2,000 houses. Key focuses of the INTEGER Kunming Project includes: - Emphasise sustainable lifestyle, environmental protection, open-platform intelligent technology and improvement of housing standards and building technology in the context of China. - Establish a platform for research, and evaluation of new technologies in both real-life utitlisation and real-time visitor’s response sustain long-term collaborative and multidisciplinary researches on the site, such as POE and performance evaluation of bamboo structure house. - Provide an environment in which communication, education and recreation can be accessed by the use of appropriate technologies; Play an important role in the education of the general public, school children, home buyers and real estate developers, of Intelligent and Green lifestyle buildings. - Through Integer Kunming programme, harness the network of the combined forces of intelligent & innovation to generate a dynamic for change, creating shared opportunities for all involved. Emphasise integrated design process that involves all the stake holders from the very first beginning to on-going decisions. - Widely application of integrated green and intelligent technologies. The Visitor Centre is the first stop in the experience. The key functions of the Visitor Centre are to inform the public of the need for sustainable development and the role of technology in achieving the goals. It provides



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a platform for the promotion of intelligent and green products. The centre serves as an education centre for school children and can host seminars or corporate functions for 200 guests. The four prototype houses explore both innovative and traditional technological solutions including building in lightweight steel and building in bamboo structure. The houses are of different sizes and deploy a wide range of architectural design methods. The objectives are to use Chinese manufactured materials and products whenever possible supplemented by imported products and to integrate these into architectural systems appropriate for China. The real experience of building these prototype houses provide opportunities for different producers to work together. The prototypes can be tested by having Chinese families living in them for short periods and are unique opportunities for university research on sustainable lifestyle. The wetland park in the centre of the project aims to restore the original ecosystem in the valley. It is an ideal place for the visitors to relax and reflect on the issues of sustainable lifestyle. The wetland park with its ponds and reed bed filtration is a fascinating place which stimulates the sense of curiosity in school children. The lifestyle experienced by the visitors is supported by a range of technological solutions. The approach in Expo INTEGER is to adopt appropriate and available solutions for the geographical region in question. Primary sustainable technologies applied include: watershed conservation, solar thermal, rainwater collection and reuse, various water-saving measures, building intelligent control, latest construction and materials solutions, such as prefabricated lightweight steel and bamboo structural system. It is hoped that the technological solutions successfully tested out here can be utilised immediately in housing developments through out the western region of China.



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1. Interior landscape 2. General view 1. 室内景观 2. 全景



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Elevation 立面图



8. House surrounded by trees 9. Outdoor wooden deck 8. 房子周围的小树 9. 室外木平台



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East Elevation



东立面图



9 昆明世博IN的家项目是一次实践性的研究过程，它是南中国第一个生 态及智能化住宅区开发项目。IN的家世博会项目坐落在昆明世博园址中面 积为6公顷的山谷中。项目包括了一个2000平方米的游客和展览中心和4座 大小不一的原型的生态及智慧化示范住宅建筑，为整个255公顷小区展示未 来生态和智慧化家居的视野。 本工程致力于发展的特点包括： 1. 一种可持续的、环保的、利用开放式智慧化技术的、改善现有住房 水平和建造技术的、适合中国西部地区的城市化发展的住宅形式和生活形 态模型。 2. 通过开放式的游客中心和示范工程展览促进教育和公众参与计划。 3. 广泛合作的研究项目贯穿于整个项目的设计、建造和使用过程，包 括持续长期的后续项目的研发，如竹结构屋的性能测试和90平方米公寓绿 色智能住宅示范研发等。 4. 通过IN的家项目整合近百计的合作伙伴，为营造可持续和高质量的 住屋提供改革及创新的动力。 5. 广泛应用绿色与智能建筑技术。



四座原型住宅探讨了革新意义上的和传统意义上的科技建造手段，包 括利用轻钢材料和竹结构建造的建筑。这些住宅具有不同的尺度，并广泛 采用了各种建筑设计手法。其目标是尽可能的运用中国本土的建造材料与 产品，并以进口产品为辅，将这些融合为一体运用到适合中国的建筑系统 中来。这些原型住宅提供给不同制造者共同工作的机会。这种原型住宅可 以通过邀请中国家庭在其中短暂居住来测试其运行状况，同时它也为大学 中可持续生活形态研究提供了不可多得的机会。在项目基地中心的湿地公 园旨在原生态系统回归到山谷之中。这是可供参观者休闲的理想空间，并 反映出可持续生活形态的宗旨。湿地中的池塘和满目的芦苇营造出一个令 人着迷的场所，激发着中小学生的好奇心。 参观者们所体验的生活形态背后是由一系列的科技手段支持着的。世 博会IN的家项目的理念是根据项目的地理区域来采取适当的和可行的解决 方式。主要可持续技术包括：在基地中保存分水岭、太阳能热量科技、住 宅智慧控制、雨水的收集和各类节水技术、新型环保建筑材料如竹结构和 轻钢结构等。我们的期望是这些科技解决手段能够在这里成功的被试验并 很快能利用到中国西部地区的住宅建设中来。



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10. Dining room seen from outside 10. 从室外看餐厅



Elevations 立面图



Elevations 立面图



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Ground Floor Plan: 1. Lobby 2. Working area 3. Conservatory 4. Kitchen 5. Dining 6. Toilet 7. Dry land stone paving



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Second Floor Plan: 1. Family area 2. Walk-in closet 3. Master bedroom 4. Master bedroom bath



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First Floor Plan: 1. Lobby 2. Balcony 3. Living area 4. Bedroom 1 5. Bedroom 2 6. Bath 1 7. Bath 2



三层平面图： 1. 家庭活动室 2. 步入式衣柜 3. 主卧室 4. 主卧卫生间



Ground Floor Plan: 1. Entrance foyer 2. Living area 3. Dining 4. Deck 5. Balcony



一层平面图： 1. 入口门厅 2. 起居室 3. 餐厅 4. 木质平台 5. 阳台



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First Floor Plan: 1. Lobby 2. Courtyard 3. Roof light 4. Bedroom 1 5. Bedroom 2 6. Bathroom 7. Walk-in closet 8. Study 9. Master bedroom 10. Master bedroom bath



二层平面图： 1. 大厅 2. 庭院 3. 天窗 4. 卧室1 5. 卧室2 6. 卫生间 7. 步入式衣柜 8. 书房 9. 主卧室 10. 主卧卫生间



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Roof Plan: 1. Glazed roof light 2. Operable glazed glass panels 3. Solar panels



屋顶平面图： 1. 玻璃天窗 2. 可移动玻璃板 3. 太阳能板



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SPLIT HOUSE



Water Gate of the Great Wall, Yanqing, Beijing Yung Ho CHANG / Atelier Feichang Jianzhu 二分宅 北京 延庆水关长城 张永和 / 非常建筑 Gross Floor Area: 449m2 Design/Completion Time: 2000-2001/2001-2002 Architect: Yung Ho CHANG / Atelier Feichang Jianzhu Designer Team: LIU Xianghui, LU Xiang, Lucas Gallardo, WANG Hui, XU Yixing Structural Consultant: XU Minsheng Structure and Material: Laminated plywood frame, rammed earth walls and painted wood siding with frameless glazing Photographer: FU Xing Client: Red Stone Industrie Co., Ltd. 建筑面积：449平方米 设计/建成时间：2000-2001年/2001-2002年 建筑设计：张永和 / 非常建筑 设计团队：刘向晖，陆翔， 卢卡斯·盖拉多，王晖，许义兴 顾问：徐民生（结构） 结构和材料：胶合木框架， 夯土墙和木质喷漆推拉窗 摄影师：付兴 业主：红石公司



Located in the mountains north of Beijing by the Great Wall, the house is split right in the middle, to save trees already on the site, to separate the public functions from the private ones, and bring the natural scenery into the embrace of the residence. However, it is also an attempt to design a local house in some other ways:



Site Plan 总平面图



1. To transplant "siheyuan", the traditional Beijing courtyard house, from its dense urban context into the pristine landscape. In the setting of mountain and water, the courtyard is transformed from a space that is enclosed by the rooms all around while in the city to one that is enclosed by the mountains on one side and the house, with its two split halves, on the other. The line between nature and architecture is thus blurred. The house is split to achieve the union of natural and artificial and it is a courtyard house with mountain and water. As a matter of fact, water, a natural stream discovered on the site, is re-routed to meander through the courtyard and flow underneath the glazed entrance lobby floor before going further down the hill. 2. To create a flexible prototype. The design is intended to be duplicated several times in the valley. The angle between the two wings is thus not fixed but can be adjusted to fit the house onto various hill sites. According to the geographical condition of a particular locale, the split house can be transformed into singular house, parallel house, right angle house, bar house, or back-to-back house.



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3. To make a building that can eventually disintegrate and may not leave too much on the site once it is no longer needed. Based on the tradition of using earth and wood as the primary construction material in China, the frame structure of the Split House is made of laminated wood with rammed earth walls, which provide good insulation with minimum environmental impact. The split also offers the possibility to use only half of the house when number of residents is small to keep the maintenance cost down.



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2 二分宅（或称山水间）位于水关长城脚下11个别墅中的置高处，依山 就势，一分为二拥抱着山谷。它保留了基地上原有的树木，在功能上又分 离了主（私密）、客（公共）空间，形成半自然半建筑的庭院围合，将大 自然的景色尽收宅内。自然的空间、景色和人造的建筑空间与周围景观融 合一体。



2. 建立一个灵活的原型。二分宅在这个山地住宅区的建设中将可能被 “复制”若干次，因此它的两翼的角度并非是固定的，而可以随着不同的 山地地形而调整。针对不同的地形，互成角度的两翼可依地形的各异在0° 至 360°之间任意变化，可出现“一字宅”，“平行宅”，“直角宅”等 变形。



1. 转译传统北京四合院。将其从高密度的城市环境移植到自然景观 之中。院子从在城市中被建筑四面围合变为由山坡和房子环抱。如此，建 筑和自然之间的界限模糊了。房子二分也促成了人工与自然的结合，形成 了山水之间的院宅— 山水四合院。二分宅尊重传统但不是模仿传统的形 式，而是试图创造出当代中国住宅的新形象。



3. 建造一个对生态环境影响较小、日后必要时能够相对容易并干净地 拆除的建筑。借助中国以土木为主要建筑材料的传统，二分宅用胶合木框 架作结构，用保温隔热效果良好的夯土墙作维护，对环境的影响限制在最 低限度；保温隔热性能具佳的夯土墙可形成冬暖夏凉的室内环境质量；在 使用者较少的情况下，二分宅亦可仅开放一翼，以节省运行和维护费用。



Elevation 立面图



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Sections 剖面图



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3 1. Entrance 2. Back yard 3. Roof terrace 4. Inside back yard 1.入口 2. 后院 3. 屋顶平台 4. 后院内部



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5 5. Sitting room 6. Dining room 7. Mah-jong space 5. 起居室 6. 餐厅 7. 麻将室



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Ground Floor Plan: 1. Entrance 2. Sitting room 3. Bathroom



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一层平面图: 1. 入口 2. 起居室 3. 卫生间



First Floor Plan: 1. Bedroom 2. Bathroom



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MANDARIN PALACE C1 VILLA Pudong, Shanghai YU Ting, XU Yunfang 九间堂C1型别墅 上海 浦东 俞挺，徐蕴芳 Gross Floor Area: 450m2 (above ground), 200m2 (underground) Design/Completion Time: 2003/2005 Architect: YU Ting, XU Yunfang Photographer: CAI Feng Award: Excellent Creation of Architectural Society of China 1949-2009 建筑面积：地上450平方米，地下200平方米 设计/建成时间：2003年/2005年 建筑设计：俞挺，徐蕴芳 摄影师：蔡峰 奖项：中国建筑协会创作大奖1949-2009



Similarities Between Poem Writing and Architectural Structure In china, poem has limited types and patterns. It is the same as architectural design, which is of limited basic forms. Thus, a certain design can be expressed in the form of poem with fewer structures to create a larger effect. Usually, architects define the basic form of a project first just as poets choose a certain pattern before writing a poem. In this project, a simple “L” shape is proposed; but it is by chance, not predefined. The building structures unfold on the “L” shape, creating a tight and successive spatial scene, which is further highlighted by visual movements. In this way, an abstract and remote feeling is visually interpreted through a certain yet imaginative fragment. Usually, poets and painters have common views towards “form of expression”, that is, sceneries, seasons and human activities are treated equally in the process of art creating. Scenes of daily activities integrate into the entire site through the creation of fragmental units which bring senses of seeing, hearing, touching, smelling and tasting as well as personal hobbies, activities and seasons together. These small units are rhythmically organised into the entire site, symbolising different experiences of life. In this way, a special feeling grows out and fuses into the house. Architects combine their feelings and interests with daily life, which helps completely realise the goal of the project.



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Architects manage to achieve the unification of aesthetic consciousness and aesthetic conception emphasied by poets in a physical and sensible way. Life experience and comprehension towards it play an equally important role in the design process. Consequently, feelings of happiness, anger, grief and joy in daily life are gradually upgraded into aesthetic emotion in this project. In other words, the design is an organic whole. A Chinese idiom says “human belongs to nature.” In this project, it can be said “architects belong to nature.” Architects give up the idea of “using materials and techniques to express the design”, but tend to embody the project through interest of formalism and symbolism, creating a deep effect from spiritual aspect. They enjoy great freedom regarding form, but in a defined frame. For this building, all the traditional materials and techniques are abandoned and the visual elements in traditional garden are reduced into simple aesthetic expressions. The modern construction and detail design technology is considered as ancillary method for the first time and can be overlooked in this project. Modern technology and metaphysical pursuit exist independently. In architects’ perspective, the perfect state is achieving equal in material life, but maintaining typical and innovative in mental life.



East Elevations



东立面图



—诗园同构 在中国，诗歌的类型和模式的数目是有限的，在设计中，基本形式也 是有限的。在有限的形式下表达最大的意境，这是将设计以诗的形式挥洒出 来。设计师先限定设计的结构，正如诗人选择五言还是七言，绝句还是律诗 一样。预先设定体裁，这个院子围合成一个非常简单而且常见的L形。L形作 为一个纯粹结构而被突出。这个结构选择是有偶然性的，而不是事先预知或 者推演出来的。



North Elevations 北立面图



设计中的叙事性被摒弃，将空间以连续的场景如同卷轴展开地组织在一 个简单形式结构之上，同时严密的连续的空间场景是人在视觉运动中所产生 的流动空间意识。一个片断和场景以视觉上的具体形象表现抽象的和遥远的 事物，通过各种想象的象征来达到对形而上的追求。“诗人和画家们在表现 形式上达成了共识，他们将景物、季节和人类活动等同看待。” 日常生活中赏玩的场景被以一个小小的结构单元融入到大结构之中，这 些结构包含了人的视觉直感以及听、触、嗅、味的综合体悟。还有个人的小 偏好、活动和季节，并依托空间而存在。“我们对待空间就有点像我们对待 性，它存在但我们不去讨论它。”这些小结构以不同速度形成节奏感组织于 结构之中，代表生活的不同含义和不同的幸福感。从而使得单纯的大结构具 有了一种抒情性。“张之于意而思之于心”深化为象外之象。这是生活形象 与设计者内心体验和情趣的相契合。所谓“意象欲出，造化已奇” 。



South Elevations



南立面图



设计师努力将诗歌的意境追求在形象思维机制上，以达到审美意识 （意）与审美对象（境）的统一与和谐。这种思维图式与我们的经验密不可 分，强化我们体验人生的思维悟性，扩大表现现实感情的思维张力，将生活 中的喜怒哀乐升华到审美的情感意志，使设计达到主客一体的境界。这似乎 是天人合一，至少天与设计师在这个设计中有某种相默契的愉悦联系（也许 非所有人）。 C1的设计是在一个严格规定的框架内享受形式操作的自由，设计师克服 对材料和手法的炫技性表达的欲望，透过隐含的形式主义趣味以及象征主义 的表达，而力求产生一种深刻的精神影响力。 所有众所周知的传统的材料和做法也被摒弃了，古典园林中视觉要素被 抽象成最简单的美学印象。而建造方法和细部完全是现代的，只是这种现代 的手法第一次作为从属的辅助而存在于一个意境营造活动之中，并在设计的 审美活动中可以被忽略。现代的技术与形而上的追求没有冲突，设计师以为 最好的状态是物质生活水平达到平均，而精神生活则保持了地方性和互动的 创造性。



West Elevations 西立面图



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4 1. Adjacent building view from courtyard 2. Inner courtyard 3. Enframed scenery 4. South elevation 5. Façade detail 1. 从庭院内看毗邻建筑 2. 内庭院 3. 收入山水美景的景框 4. 别墅南侧 5. 外观表皮细部



Sections 剖面图



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6 6. West elevation 7, 8. Detail of eave 6. 别墅西侧 7, 8. 屋檐细部



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10 9. Construction view of back yard 10. Courtyard view from inside 11. Construction view of interior 9. 后院施工 10. 建筑内看庭院 11. 建筑内部施工现场



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Underground Floor Plan: 1. Meeting room 2. Gym 3. Storeroom 4. Wine cellar 5. Video room 6. Family room 7. Tool room 8. Electric equipment compartment



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地下一层平面图: 1. 会议室 2. 健身房 3. 储藏室 4. 酒窖 5. 视听室 6. 活动室 7. 工具间 8. 电气间



Ground Floor Plan: 1. Pool 2. Bedroom 3. Sitting room 4. Living room 5. Dining room 6. Outdoor equipment space



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一层平面图： 1. 游泳池 2. 卧室 3.起居室 4. 客厅 5. 餐厅 6. 室外设备机组



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Second Floor Plan: 1. Master bedroom 2. Dressing room 3. Bedroom



二层平面图： 1. 主卧室 2. 更衣室 3. 卧室



Roof Floor Plan 屋顶平面图



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THE HOUSE A+B OF THE LUSHI MOUNTAIN VILLA Beijing WANG Yun / Atelier Fronti 庐师山庄别墅A+B 北京 王昀 / 方体空间工作室 Site Area: 688.2m2 (A); 695.6m2 (B) Gross Floor Area: 650m2 (A); 640m2 (B) Design/Completion Time: 2003/2006 Architect: WANG Yun / Atelier Fronti Collaborator: Beijing XingSheng Architecture & Engineering Design Co., Ltd., Design Department 2 Photographer: WANG Yun Client: Beijing Jiangong Real Estate 占地面积：688.2平方米（A）；695.6平方米（B） 建筑面积：650平方米（A）；640平方米（B） 设计/建成时间：2003年/2006年 建筑设计：王昀 / 方体空间工作室 合作设计：北京星胜建筑工程设计有限公司（甲级）第二设计室 摄影师：王昀 业主：北京建工地产



The House A+B is among the 57-villa development in the west side of Beijing. Adjacent to the clubhouse, these two 670- and 630-square-metre villas are designed side-to-side sharing a dividing wall. They both are two storeys high with a full basement. Two central courtyards with different feelings are placed in the centre. The routing circulation inside each villa displays the architect’s intent to project his scenery experience into the space. The House A+B is the biggest one in the villas, which has a total floor area (including underground floor) of more than 800 square metres. The two houses each have their own inner and outer courtyards. The exterior courtyards are attached at the east side of the houses. Linked by two box structures 18 metres in length and width, 7 metres in height, the two houses comprise two floors above ground and one floor underground. At the east sides of the two houses, two courtyards in a size of 18m x 12m are outstretched, in which there is a stairway leading to the underground basement. As for the overall design, space configuration is made in the nonfigurative white box structure. Architect attempts to reify the landscapes in mind by arranging the interior spaces. The strolling paths in the interior space and the changing scenery along with the moving steps attract the visitors with nonfigurative landscapes. Site Plan 总平面图



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The entrances of the two houses are set up at the façade, in a most simple style and standard scale. A long and slim pyramidal structure stands in front of the entrances with spot lights hidden behind, which are used for night lighting. The House A + B each has an unusual doorway. After entering the front door of House A, there is one more door, as well as a small sunken courtyard at the left, which can bring sufficient sunlight into the interior space and serves as a channel of daylighting for the underground floor. While entering the front door of House B, visitors need to turn left to get into the interior space. The living room of House B is a large space in two-storey height, while the French window is just set up at the ground floor. Stepping down along with the stairs from the first floor, visitors will enjoy a best view overlooking from the central garden to the whole living room. In this white and outspread space, a small red door becomes the dazzling highlight. The living room of House A, comparing with the spacious inner courtyard, is less important in respect of the volume.



West Elevation 西立面图



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The master bedroom of House A is at the first floor, embracing an elegant curved wall among the unified linear structures. The master bedroom of House B makes place for the spacious living room fit for hosting a party. In respect of the location, it is positioned at a hidden place, with side-open windows facing the east which makes the room bright. The inner courtyard is linked with the outer by grand stairs. What attracts visitors is that at the connecting point, a long and narrow corridor with transparent walls is set up above the ground just like a mini overpass. In House B, there is a square atrium with white walls, which is linked with the backyard through a long and narrow corridor. All the furnishings are designed by the architect personally, which are made of various kinds of materials such as stainless steel, leather and multilayer boards. The exterior walls are all in white, right-angled and naked, which become the platform for experiencing the changing of light and shadow.



East Elevation 东立面图



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1. Inner courtyard of House B 2. West elevation of House A and House B 3. Inner courtyard night view of House A 4. Courtyard of House A 5. Courtyard of House B 6. Outdoor terrace of House A 7. Inner courtyard of House A 8. Outdoor terrace of House A 9. Outdoor corridor of House A 1. 住宅B内庭院 2. 住宅A+B西立面 3. 住宅A庭院夜景 4. 住宅A庭院 5. 住宅B庭院 6. 住宅A室外平台 7. 住宅A庭院 8. 住宅B庭院 9. 住宅A室外平台



North Elevation 北立面图



South Elevation 南立面图



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4 别墅A+B位于北京西郊以57栋住宅所组成的别墅区中，住宅地上2 层，地下1层，分别是670平方米和630平方米。住宅中心设有两个不同意 味的中庭，住宅内部富有情节的路径系统展示着设计者体验风景的意向。 “A”和“B”是山庄中最大的住宅，两幢住宅地上和地下面积加起来 超过800平方米，并且各有内外庭院，而外庭院附在建筑东侧。两栋住宅由 两个长和宽均为18米、高为7米的方盒子拼合联立在一起，并且均为地上二 层，地下一层。在住宅的东侧两栋分别各延伸出两个大小为18米x12米的 内院，院子中有一个楼梯可以直通住宅的地下室部分。在整体的设计上， 采用抽象的白色箱体进行空间构造。内部空间的组织上设计者力图将其意 识中的风景物象化。室内穿插游走的散步路径，步移景异的空间场景，以 抽象的景观作用于体验者。 两栋住宅的入口都设置在建筑的正面，入口极其朴素，是标准门的尺 度。有瘦长金字塔形的物体立在入口处。它的背面藏有投射的灯，用于夜 晚照明。



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“A”和“B”的玄关与通常的设计不同，从“A”的正门进去之后， 必须再进一门，而左侧则有一下沉式小庭院。它起到让充足的阳光进入内 部的作用，实际上也是地下层采光的通道。而“B”由正门进入后要拐弯， 再向左拐才能进入。“B”的客厅是一个有着两层高的大空间，然而落地窗 则仅设在一层。由二层顺楼梯而下至客厅是俯视客厅的最佳角度，在白色 有着扩张感的空间中，二楼的一扇小红门成为整体中夺目的点睛之笔。而 “A”的客厅和宽大奢侈的内庭院相比，在分量上显得并不重要。 “A”的主卧室悬在二层，在统一的直线设计中有一面优雅的弧形 墙。而“B”的主卧室则让位于巨大最适于开派对的客厅，但从位置上来 看，它找到了一个神秘的位置，而横开窗朝东，光线明亮。 “A”的内院和后院相通，一个宽大的后台阶是连接内外院的通道，有 趣的是在连接处有一个两壁通透的狭长走廊架在二层的空中，犹如一座迷 你天桥。“B”有一个正方形四壁皆白的中庭。通过一个狭长的小走廊可到 安静悠闲的后院。和“A”的后院锥体形成对照。



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10. 住宅B起居室 11. 住宅A起居室上空 12. 室内采光天井 13.住宅A内庭院 14. 住宅B起居室 15. 住宅A内庭院夜景



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Ground Floor Plan : 1. Main entrance 2. Inner courtyard 3. Garage entrance 4. Restaurant for staff 5. Storage 6. Bathroom 7. Cloakroom 8. Master bedroom 9. Outdoor courtyard 10. Living room 11. Dining room 12. Chatting room 13. Garage 14. Security room 15. Kitchen 16. Reception 17. Clean room 18. Pond



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地下一层平面图



一层平面图： 1. 主入口 2. 内庭院 3. 车库入口 4. 办公人员餐厅 5. 库房 6. 卫生间 7. 衣帽间 8. 主卧室 9.室外庭院 10. 起居室 11. 餐厅 12. 洽谈室 13. 车库 14. 保安室 15. 厨房 16. 接待室 17. 清洁室 18. 水池



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MANDARIN PALACE, SHANGHAI



Pudong, Shanghai Rocco Yim / Rocco Design Architects Limited 上海九间堂 上海 浦东 严讯奇 / 许李严建筑事务所 Gross Floor Area: 28,722m2 Design/Completion Time: 2003/2004 Architect: Rocco Yim / Rocco Design Architects Limited Photographer: Courtesy of the architect Client: Zendai Group 建筑面积：28722平方米 设计/建成时间：2003年/2004年 建筑设计：严讯奇 / 许李严建筑事务所 摄影师：图片由建筑师提供 业主：上海证大世纪（集团）有限公司



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The Mandarin Palace is located at Pudong area in Shanghai, close to the Century Park. Surrounded on two sides by two roads and one side by river, the base is on a flat land, where natural landscape is limited. The general layout embodies the complementary relation between buildings and water bodies in villages and towns in southern Yangtze River area. Drawing water from the southern river into the base, a meandering water channel divides the base into several peninsulas. Water channel, driveways and alleyways reticularly shuttle across the base, connecting houses, streets and the river.



Site Plan



总平面图



Chinese culture of living is always closely linked with family concepts, which treasure unity and harmony. In a family, there are differences between old and young, male and female, who have not only common intercourse, but also private activities. The forms of residential architecture in different areas include Beijing quadrate courtyard in Northern China, private garden in area south of the Yangtze River, and walled village in Southern China. Though adjusted to local climate and custom, they basically share the same family concepts. While the customers of Shanghai Mandarin Palace are magnates and middle class families in the 21 st century, the traditional concept “respect the old, love the young” is deeply rooted. Therefore, the project is seemingly an experiment of Chinese contemporary art, but in fact, it is an interpretation of traditional family concepts. Especially as viewed from space arrangement, the project provides a modern response to the traditional family relations.



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With respect to the design of individual buildings, the Mandarin Palace, as villas of 21st century, inherits the traditional conception and craftsmanship in civilian houses in southern Yangtze River area, referring to feeling and atmosphere that are highlighted by spatial sequence, brightness contrast and the usage of materials. Regarding the design, architects discard traditional symbols and forms, but select modern materials and construction, which indicates the times we live in. Since ancient times, in the layout of Chinese architecture from palaces to civilian houses, interior and exterior spaces have been always arranged by courtyards, which creates comfortable living environments. This concept embodies some old-but-new principles from various aspects, such as privacy protection, clear function division, climate condition adjustment in microenvironment, appropriate lighting and ventilation, and warm in winter and cool in summer. Particularly, human beings are interconnected with nature harmoniously, and the courtyards and the houses complement each other, providing a balanceable living environment. Based on the above concept, zoning the base with walls, the Mandarin Palace places the main courtyards along the central axis, with other courtyards beside. Buildings with different functions such as main hall, master bedroom, living room, and bedroom are set up in these courtyards respectively, so as to identify specific function of each courtyard.



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2 Another feature of traditional civilian houses is natural lighting for interior space. In the southern Yangtzs River area, thanks to the comfortable climate, it is more appropriate to enhance the transparency of the building. The natural light, introduced from courtyard, filters into the hall through the tubular eave, which makes the light soft and even. The light rushes down from above into the small patio beside the reading room or bedroom, which is learned from the customary technique in building civilian houses. The building structure is made of different natural materials displaying different textures, which make light and shadow as ornaments in the spaces.



中国的居住文化、传统自来都是与中国人的伦理家庭观念息息相关， 追求的是团结和谐。一个屋檐下，长幼有序，男女有别，既有共同的交 往，亦有各自私隐的活动。出现在各个地区的住宅建筑形式，包括北方的 四合院、江南的私家园林大宅或是南方围村式规划，虽然各自调整适应当 地气候习惯，但基本上贯彻同一伦理观念。虽然上海九间堂别墅所面向的 对象是中国21世纪富豪或中产之家，但是传统敬老扶幼的信念根深蒂固。 所以该项目表面看是现代中国建筑的一种试验，实则是对传统伦理家庭观 念的一种演绎。特别是在空间组织方面，它是对传统家庭关系模式的一个 现代响应。



The design of façade and spaces of the Mandarin Palace adopts the above elements: skylights, patios, courtyards, stone gabion walls and sun-shading facilities, which present the simplicity, elegancy, serenity and harmony of traditional civilian houses, and lead the concept of villas to another state.



整个九间堂别墅区位于上海浦东，邻近世纪公园。基地两面环路，一 面靠河，地势平坦，自然景观受到一定限制。总体布局体现了江南乡镇中 建筑与水体的相辅相成关系，将南边河水引入基地内，形成了一条迂回曲 折的水道，将基地划成数个半岛。水道、车道、小巷纵横穿梭，由家门至



Sections 剖面图



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3 小巷，到支河连街道和市河，层层相扣，空间尺度私密，有序而又多变， 起承转合，富有节奏感。 在单体设计方面，九间堂作为21世纪的大宅，秉承了江南民居的传 统意匠，参照了从空间序列、光暗对比及物料运用，纳入其中的感觉和气 氛。设计上则摒弃采用传统的建筑符号和形式，而以现代的建筑材料及营 造标示着我们所处的时代。 自古以来，中国建筑的平面布局便是以院落式的方法来组织室内外空 间，上至宫殿，下至民居，并以此营造宜人的居住环境。此一设计原则， 在多方面体现了一些历久弥新的建筑原理：保护私隐，功能分区明显，调 节小环境中的气候条件，合理采光和通风，冬暖夏凉等。特别之处是维持 着人和自然的关系，院落跟房屋一阳一阴，互为补充，给人们带来一个平 衡的居住环境。



九间堂以此为出发点，以墙垣将基地界定后，于中轴线上安排主要院 落，纵向为进，横向为落。功能不同的楼房，如主厅、主卧、起居室、卧 室等分置其中，并用以界定院落的相应功能。 传统民居的另一个特色则是空间内的光线引入。江南地区，气候宜 人，建筑物增强通透感远较北方地区为宜，光线透过院落引入，与白墙反 影。轻盈通透的屋檐出挑，将天然光线隔滤后渗入大厅，使室内光线柔和 均匀。在书房或卧室旁的蟹眼天井，光线从上方缝隙泻下，则是取材传统 民居的惯常手法。建筑构造上使用不同的自然物料，带出不同的纹理质 感，使光和影成为建筑空间内点缀。 九间堂的立面及空间处理纳入了上述重要元素：天窗、天井、小院 落、石笼隔断、遮阳设施等均以现代的简约手法带出了传统民居的朴素、 飘逸、宁静、和谐，将大宅的境界带至另一层面。



Sections 剖面图



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4 1. Outer courtyard 2. View from Zhangjiabang River 3. House, bamboo and water 4. Night view of outer courtyard 5. Inner courtyard 1.外庭院空间



Ground Floor Plan of Unit A1: 1. Courtyard 2. Family room 3. Bedroom for children 4. Study 5. Bedroom for grandparents 6. Guestroom 7. Guestroom/servant room 8. Front hall 9. Pond 10. Dining room 11. Living room 12. Swimming pool 13. Garage 14. Gate house 15. Atrium 16. Wooden deck



2. 从张家浜远眺 3. 房子、竹子与水 4. 外院夜景



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A1型一层平面图： 1. 庭园 2. 家居室 3. 小孩卧室 4. 书房 5. 祖父母房间 6. 客房 7. 客房/管家房 8. 玄关 9. 水池 10. 中西餐厅 11. 客厅 12. 泳池 13. 停车库 14. 司机等候室/门房 15. 中庭 16. 硬木条地台



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Ground Floor Plan of Unit A4: 1. Front hall 6. Living room 2. Courtyard 7. Dining room 8. Outdoor terrace 3. Pond 9. Atrium 4. Study 10. Garage 5. Bedroom



A4型一层平面图： 1. 玄关 6. 客厅 2. 庭园 7. 餐厅 3. 水池 8. 室外平台 4. 书房 9. 中庭 5. 卧室 10. 停车库



First Floor Plan of A4: 1. Roof 2. Master bedroom 3. Side hall



A4型二层平面图： 1. 屋顶 2. 主卧室 3. 偏厅



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MOUNTAINSIDE VILLAS



Changping District, Beijing Beijing New Era Architectural Design Ltd. 观山悦 北京 昌平区 北京新纪元建筑工程设计有限公司 Gross Floor Area: 64,000m2 Design/Completion Time: 2005/2007 Architect: Beijing New Era Architectural Design Ltd. Photographer: Courtesy of the architect Client: Beijing Ruikun Real Estate Co., Ltd. 建筑面积：64000平方米 设计/建成时间：2005年/2007年 建筑设计：北京新纪元建筑工程设计有限公司 摄影师：图片由建筑师提供 业主：北京瑞坤置业有限责任公司



Villas of four different types are proposed with the same design principle. The project takes full advantage of the environment of the mountainous region to form a continuous spatial layout: mountain - community courtyard - exterior - interior. All the villas have common features with spaces for different uses clearly separated. Rooms inside are in perfect and appropriate scale and installed with complete facilities. All the villas seem to grow out from the natural mountain, being in harmony with the surrounding environment, climate and human activities. The entire project seems like an unfolding ink painting which showcases the ideology of “nature and humanity”.



enlarging green area, private and semi-private spaces. Moreover, the design stresses not only the nice environment inside the community, but also the journey back into it, through entrance among lush trees into open residential area, stepping on the circular main road with shading trees to the slim and tranquil alley, and finally into the warm and private courtyard. One of the details works as the feature of the whole project - rainwater can be collected by the roof and then flows through the drainage ditch specially designed to form a small waterfall at the convergence of the gable walls and finally into the river system inside the community. It is an integral system, combining climate, rainwater, architecture, river as well as sound together.



Located in Ming's Tomb Scenic Spot, a site with favourable natural conditions of green mountains, dense forest, blue sky and clear waters, the project is typical mountain villas. Architects pay attention to the effective and private utilisation of the land, minimising the number of roads and



The design shows respect for historical and regional culture and at the same time absorbs the essence of traditional Chinese architectural structure. Combined with modern living style and fashionable design method, the project aims to produce a completely fresh feeling for its residents.



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整个别墅区由四种不同类型的别墅组成，具有相同的设计原则，并 充分利用了本地的山地环境资源，形成了山地→社区→院落→宅外空间→ 室内空间的整体灵动空间。房型共同特点为动静分开、公私分开、主次分 开、干湿分开；充分考虑别墅居家的特性，把握好具体各房间的尺度；功 能齐备、别墅的五大区域充分考虑，合理安排。别墅区的整体建筑风格， 是从自然山体中有机生长出来的，是和环境、气候、人的活动等多方位的 因素共同构成的。建筑的空间构筑是远至群山近至树木相互协调关系的体 现。如同一幅淋漓的泼墨，体现出天人合一的思想。



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观山悦别墅区位于京城风水龙脉源头— 十三陵风景区内，属居住建 筑，拥有众多的自然景观资源，山秀、林绿、天蓝、水清，自然条件得天 独厚，属典型的山地别墅。整个设计中点点滴滴体现对土地的有效利用和 最大限度的土地私有化，尽量减少道路用地，加大绿化、私密空间和半私 密空间。此外，在设计过程中不仅考虑人在社区内的感受，对人在回到山 庄的过程也给予了充分的考虑，即：树木掩映的社区入口— 豁然开朗的 社区环境— 绿树成荫的环形主街— 曲径通幽的宅间小径— 温馨私密 的独户庭院。其中赋有特点的“四水归堂”的节点设计，下雨的时候，内



坡的屋顶将雨水收集起来，沿专门设计的排水沟排出，从山墙的交汇处形 成瀑布，并流入院内的水系。此体系是一个完整的设计，使气候、雨水、 建筑、庭院水系，甚至声音共同构成了完整的建筑理念。



1. Front elevation 2. General view 1. 房子正面 2. 全景



观山悦别墅区的设计在尊重历史文化和地区文化的同时，提取中国古 典建筑规划的精华，并结合来源于现代的生活方式和时尚的设计理念，努 力创造出一种令人耳目一新的、茹古涵今的庭院式建筑。



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Site Plan 总平面图



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Layout Planning Assimilating into the Surroundings and Transport System in a Well-Organised Way The 77 villas are organised along the typology of the site and keep rising with an average slope of 10%. The main road goes perpendicular to the foot of the mountain. Others all face the foot of the mountain directly and move towards the sunlight and ventilation of local area. The public road in the community is 11 metres wide with five metres in the middle for vehicles. The two sides are green belts in a stepped way. The site is elevated 1.5 metres with a 0.9-metre-high enclosing wall, which unblocks sights of pedestrians. 融于环境的规划布局与级别有序的交通组织



Humanism Residential Design and Ecological Technology Application Relation with the surroundings is largely taken into consideration. First, each villa is constructed in accord with the typological features of the site, which seems to be growing out from nature. Second, materials are carefully selected with stone exterior wall, tile roof, log ceiling and solid wood door and windows, which shows respect for nature and simple architectural form. Ecological features include traditional technology, exterior wall insulation, passive solar energy, stack effect, and through ventilation. 人文思想的住宅设计和绿色环保的技术运用



77栋别墅沿用地自南向北以平均10%的坡度上升布置，主要干道走向垂直于山 麓，使上行的每一条路都可以直接面向山麓，形成对景，并与当地的日照和通风走向 一致。进入社区的宽11米的公共通道，中间为5米的车行线，两侧为阶梯形山谷式绿 化带。顺山势而上的同时，与两侧建设用地的标高1.5米再加上用地围墙0.9米高，将 高差扩大至2.4米。房中和院中的人因视线通达，可俯视道路及周边环境，没有大墙 之内的压抑感。



每个单体户型都是为了适应地块分割和地貌特点而进行设计，充分考虑房子与环 境的关系，在围合自身院落的同时减少了与其他院落的互视和领地感冲突；自然生长 的建筑除了形态，更从材料构成上与自然融为一体。别墅与山地石为墙面、以陶制瓦 为屋面、以原木为顶棚、以实木为门窗……，充分表达了对环境的尊重，并展现最质 朴的建筑形象。 应用传统建筑技术， 建造真正的绿色环保建筑： 采用先进外墙保温；以合理 的开窗和遮阳手段组织光线 视线和阳光的利用；以烟道 效应和对流通风手段组织室 内空气交换；结合地形高差 安排地下室，充分利用空 间；设计出重力排污的地下 室卫生间。



The road going perpendicular to the mountain slope 道路方向垂直于山坡



Relations between site and mountain 用地和山地关系



Section of road



Diagram of sun shading and ventilation



道路剖面



遮阳和通风示意图



Complete Commercial Facility and Harmonious Landscape Design Community club and commercial facility cover a 1,860-square-metre area and they serve as the gate into the residential area. One includes dining, entertainment, cultural exchange, supermarket and real estate office and the the other as tearoom, meeting room and performing stage. In addition, the wind tower stands straight behind and the wind bell dangling on the top “sings” pleasantly as wind blows, which links the physical and mental world together. The site has favourable natural conditions with clean rivers, fresh air, and beautiful mountains. The design brings natural landscape into each villa. With the river and courtyard combined, residents in each villa can appreciate the wonderful scenes when opening the window. Mountain, water and garden generate a wide range of views. The form of ”Forest Park-public green belt-courtyard-interior-sky garden“ reflects the traditional Chinese living culture.



功能完善的配套商业和内外相生的景观设计 社区会所及配套商业总建筑面积1860平方米，通过左右相互呼应的两栋建筑自 然形成整个别墅区入口山门。一座集中布置了包括餐饮、健身、娱乐、文化交流、小 型超市及物业办公等服务于住区居民的功能内容，另一座涵盖了茶室、文化交流、公 共聚会、小型演出等功能。矗立于建筑之后的风塔，当微风吹过，悬于塔顶的风铃的 悦耳声音弥漫于社区上空，把人类世界的活动与精神世界有机地组织在一起。 项目周边拥有众多的自然景观，山清水秀、空气清新，自然条件得天独厚。景 观设计借大山之景进自家之园。结合了公共景观河和合院式花园，栋栋别墅可推窗见 景，山景、水景、园景形成远、中、近层次丰富的景观视野，由“森林公园—社区绿 带—庭院空间—室内空间—空中花园”的整体灵动空间构成，塑造了别处难觅的居家 风景，营造出中国人传统的居住文化三部曲“登堂、入室、后花园”。



Roof rainwater collecting structure 屋顶雨水收集



Gravity pollution discharge system in the basement making full use of height difference



Bird's-eye view of rendering



利用山地高差实现地下一层重力排污



样板区鸟瞰示意图



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3 3. Unit F, south elevation 4. Unit F, view from public square 3. F 单元南侧面 4. F 单元从公共小广场看去



Unit F, Elevation F 单元 , 立面图



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Unit F, Section F 单元 , 剖面图



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Unit F, Underground Floor Plan (Below): 1. Sunken courtyard 2. Restroom 3. Bathroom 4. Laundry 5. Servant room 6. Storage



F单元, 地下一层平面图（下图）： 1.下沉庭院 2. 休息室 3. 卫生间 4. 洗衣房 5. 工人房 6. 储藏



Unit F, Ground Floor Plan (Right): 1. Entrance deck 2. Lobby 3. Dining room 4. Living room 5. Kitchen 6. Above sunken courtyard 7. Guestroom



F单元, 一层平面图（右图）： 1. 入口平台 2. 门厅 3. 餐厅 4. 起居室 5. 厨房 6. 下沉小院上空 7. 客房



Unit F, First Floor Plan (Right Below): 1. Study 2. Master bedroom 3. Bedroom



F单元, 二层平面图（右下图）： 1. 书房 2. 主卧室 3. 卧室



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Unit G, Elevation G单元, 立面图



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Unit G, Section G单元, 剖面图



6 5. Unit G, outdoor entrance 6. Unit G, outdoor courtyard 7. Unit G, outdoor terrace 8. Unit G, entrance 5. G单元室外入口 6. G单元室外庭院局部 7. G单元室外平台 8. G单元入口



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9 9, 10. Unit G, living room 9, 10. G单元客厅



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Unit G, Underground Floor Plan (Left Below): 1. Stairs leading to above courtyard 2. Underground courtyard 3. Gym 4. Family room 5. Laundry 6. Servant room



G单元, 地下一层平面图（左下图）： 1. 通向地上庭院 2. 地下庭院 3. 健身房 4. 活动室 5. 洗衣房 6. 工人房



Unit G, Ground Floor Plan (Left): 1. Entrance courtyard 2. Entrance deck 3. Foyer 4. Kitchen 5. Dining room 6. Study 7. Living room 8. Guestroom 9. Pond 10. Above sunken courtyard



G单元, 一层平面图（左图）： 1. 入口庭院 2. 入口平台 3. 门厅 4. 厨房 5. 餐厅 6. 书房 7. 起居室 8. 客房 9. 水池 10. 下沉小院上空



Unit G, First Floor Plan (Below): 1. Master bedroom 2. Foyer to master bedroom 3. Bedroom



G单元, 二层平面图（下图）： 1. 主卧室 2. 主卧室前厅 3. 卧室



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11 11. Unit H, south elevation along the street 12. Unit H, north elevation facing the courtyard 13. Unit H, south courtyard 14. Unit H, living room 15. Unit H, above living room 11. H单元沿街南侧面 12. H单元朝向庭院北侧面 13. H单元南侧庭院 14. H单元客厅 15. H单元客厅上层



Unit H, Elevation H单元, 立面图



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Unit H, Section H单元, 剖面图



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Unit H, Underground Floor Plan (Left Below): 1. Window well 2. Servant room 3. Laundry 4. Gym 5. Storage 6. Family room



H单元, 地下一层平面图（左下图）： 1. 窗井 2. 工人房 3. 洗衣房 4. 健身房 5. 储藏间 6. 活动室



Unit H, Ground Floor Plan (Left): 1. Courtyard 2. Front hall 3. Living room 4. Family room 5. Guestroom 6. Sunken garden 7. Dining room 8. Kitchen 9. Dining for breakfast



H单元, 一层平面图（左图）： 1. 门庭 2. 前厅 3. 起居室 4. 家庭室 5. 客房 6. 下沉花园 7. 餐厅 8. 厨房 9. 早餐厅



Unit H, First Floor Plan (Below): 1. Master bedroom 2. Above Living room 3. Storage 4. Bedroom



H单元, 二层平面图（下图）： 1. 主卧室 2. 起居室上空 3. 储藏间 4. 卧室



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16. Unit J, south outdoor courtyard 17. Unit J, south elevation 16. J单元南侧庭院 17. J单元南侧面



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J单元, 立面图



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Unit J, Underground Floor Plan (Left Below): 1. Sunken courtyard 2. Storeroom 3. Storage 4. Family room



J单元, 地下一层平面图（左下图）： 1. 下沉小院 2. 库房 3. 储藏间 4. 活动室



Unit J, Ground Floor Plan (Left): 1. Front hall 2. Living room 3. Reception room 4. Light well 5. Foyer 6. Tearoom 7. Above sunken courtyard 8. Dining room 9. Kitchen 10. Gallery



J单元, 一层平面图（左图）： 1. 玄关 2. 起居室 3. 会客室 4. 光塔 5. 门厅 6. 茶室 7. 下沉小院上空 8. 餐厅 9. 厨房 10. 艺术画廊



Unit J, First Floor Plan (Below): 1. Master bedroom 2. Powder room 3. Bedroom



J单元, 二层平面图（下图）： 1. 主卧室 2. 化妆间 3. 卧室



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TANG VILLA



East Laiguangying Road, Chaoyang District, Beijing Beijing New Era Architectural Design Ltd. 观唐贰 北京市 朝阳区 来广营东路 北京新纪元建筑工程设计有限公司 Gross Floor Area: 80,000m2 Design/Completion Time: 2006/2007 Architect: Beijing New Era Architectural Design Ltd. Photographer: Courtesy of the architect Client: Beijing Bohua Ziguang Real Estate Ltd. 建筑面积：80000 平方米 设计 / 建成时间：2006 年 /2007 年 建筑设计：北京新纪元建筑工程设计有限公司 摄影师：图片由建筑师提供 业主：博华紫光置业有限公司



Design Proposal The design is proposed to emphasise the following points: the hierarchy of the rich landscape resources in the community; the scale, diversity, and interesting qualities of the alleys in the neighbourhood; The practical, convenient features and favourable dimension based on the permanent human-oriented theme. Rendering 效果图



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Design Concept The concept of this project is not only to imitate the pure Chinese style of detached house, but also requires to build a traditional and poetic residential environment suitable for living as well as being appreciated. That is also considered as the primary goal to construct a high-end villa district integrating scenic gardens with residences. In Chinese architectural culture, the walls must have openings to install window and door for people and air going through. In old times, dwellings of such form elaborate the sequence and status of natural rules and human relations in a perfect way. However, being explored and interpreted more deeply, that is not expressed on the solid architectural structures, but more on the void spaces when courtyards and gardens are introduced in residential area design. In this project, what challenges the architect is how to balance the relations between dynamic and static feeling, public and private spaces by the utilisation of Chinese style structures. Spaces of different functions are separated clearly and combined with courtyards, open or enclosed, the design creates a tranquil and simple living ambience.



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2 设计构思 强调丰富区域内景观资源的构成层次；街道胡同的尺度感、丰富性和 趣味性；多重院落式单体与自然园林式单体的均衡分步所衍生出的变化； “以人为本”对居住空间来说是不变的主题，实用便捷、尺度宜人便是居 住建筑设计的目的。 设计理念 在“观唐”项目中明确的设计理念是不单单仿建古建单体，更要求营 造传统的诗意氛围。这便塑造一个可游、可居的环境。如果打造一个风景



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园林与住宅合一的高端别墅区，可游可居的意境将是设计师第一个目标。 在将中国意的深层发掘与演绎过程中，庭院与园林不断出现，使设计师认 识到“凿户牖以为室，当其无，有室之用”的中国建筑文化并不体现在建 筑的实体界面，更多的蕴涵于由界面所界定的虚空间内，这种居住空间曾 经完美的诠释着古时人伦天理的秩序、状态，而摆在此时此刻我们面前 的是如何利用这种中式空间解决现代建筑设计中强调的动与静，公共与私 密，干扰与互动的矛盾，实现生活与传统空间的重叠，使它们拉开距离、 各司其职，或开敞或封闭的庭院穿梭于其中时，留下的是一系列宁静致 远、简单平和的生活了。



3 1. Outdoor courtyard 2. View along the street 3. Entrance gate 1. 室外庭院 2. 沿街景象 3. 入口大门



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6 6. Night view of courtyard 7. A corner of courtyard 8. Dining room 6. 庭院夜景 7. 庭院一角 8. 餐厅



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Underground Floor Plan: 1. Gym 2. Servant room 3. Bathroom 4. Family room



地下一层平面图： 1. 健身房 2. 工人房 3. 卫生间 4. 家庭室



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Ground Floor Plan: 1. Atrium 2. Living room 3. Dining room 4. Bedroom 5. Family room 6. Bathroom



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一层平面图： 1. 中庭 2. 起居室 3. 餐厅 4. 卧室 5. 活动室 6. 卫生间



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二层平面图： 1. 卧室 2. 卫生间



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CR LAND SUZHOU VILLA



Suzhou, Jiangsu Province Beijing New Era Architecture Design Ltd. 平门府 江苏省 苏州市 北京新纪元建筑工程设计有限公司 Gross Floor Area: 128,000m2 Design/Completion Time: 2007/2008 Architect: Beijing New Era Architecture Design Ltd. Photographer: Courtesy of the architect Client: China Resources Land (Suzhou) Ltd. Awards: Second Prize of 14th Excellent Project in Jiangsu Province 2010 建筑面积：128000 平方米 设计 / 建成时间：2007 年 /2008 年 建筑设计：北京新纪元建筑工程设计有限公司 摄影师：图片由建筑师提供 业主：华润置地（苏州）有限公司 奖项：2010 年度江苏省第十四届优秀工程设计二等奖



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The project is located at the central protection area in the ancient town of Suzhou and the special site determines the role it is to play, that is to conserve the typical features of the historic surroundings. The master plan responds to the context and texture exclusive to the ancient town to follow the long history and main style of local dwellings. The features of building along river, creating gardens and white wall and black tiles are sustained to a large extent. Architects lay emphasise on building spatial sequence between main landscape axis and architecture. The orderly arrangement of architectural structures creates an environment replete with feelings of deep and narrow valley adherent to the old town. The facilities of modern community are regularly arranged with pathways as skeleton, house groups as texture and central green areas, and public activity spaces as spatial joints, which as well brings modern spirits and fresh life to the old town. The graphic design combines modern functionalism and traditional thinking in order to fulfill the requirements of practical function and inheritance of traditional style. Courtyards open and enclosed are interspersed among houses to create a tranquil living environment. The design takes full advantage of the gardens’ landscape to form a dialogue between outside and inside. Architecture extends into landscape with scenery around all the time.



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1. Night view 2. Meandering river in front of the house 1. 夜景 2. 房子门前蜿蜒流淌的小河



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3 本案地处苏州古城中的核心保护区，对古城风貌有着不可言喻的历史 责任。故总体规划特别遵循地域文脉，古城肌理。在建筑与空间互为图底 的关系上维系苏州古城缘水而筑，置园造林，粉墙黛瓦，绵延千年不断的 民居历史感。在总体规划上，设计师强调主景观轴与建筑的空间次序感， 有通过建筑的摆放极力营造小街深巷，风情蕴藉的苏州特色。另一方面以 道路为脉络，以住宅组团为肌理，以集中绿化，公共设施，活动场所为节 点，系统地组织现代化社区功能。寄以希望为千年古城带来时代气息和新 鲜生命力。



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户型平面设计中本着现代功能主义与传统思维方式双重原则，强调实 用的同时完成对传统的继承。开敞或封闭的庭院穿梭于其中，形成宁静致 远、简单平和的生活。园林式的住宅凭借其自身的景观优势，内部空间设 计从静态观赏和动态串连角度出发，结合多层次立体院落做到移步生景， 室内外沟通丰富流畅，建筑契入园林，给人以景色时时俱在的美好意境。



4 3. Alley 4. White walls and black tiles 3. 房子门前的小巷 4. 粉墙黛瓦



Section 剖面图



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5 5. Bird’s-eye view of courtyard 6. Pond 5. 庭院俯瞰 6. 小水池



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地下一层平面图: 1. 吧台 2. 影音室 3. 设备间 4. 健身室 5. 客房



Ground Floor Plan: 1. Kitchen 2. Banquet 3. Study 4. Reception room 5. Bedroom



一层平面图： 1. 厨房 2. 宴会厅 3. 书房 4. 会客厅 5. 卧室



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THE BAY, PHASE 1



Qingpu District, Shanghai Atelier Feichang Jianzhu 涵璧湾花园一期 上海市 青浦区 非常建筑



Site Area: 50,510m2 Gross Floor Area: 19,495.9m2 Completion Time: 2010 Architect: Atelier Feichang Jianzhu Principal: Yung Ho CHANG Project Architect: LIU Lubin Project Team: WANG Siuming, LIU Yang, SHI Chao, QIU Yukui Interior Design: LI Weimin Photographer: SHU He, Nic Lehoux Client: Shanghai Qingchen Real Estate Development Co., Ltd. 占地面积：50510平方米 建筑面积：19495.9平方米 建成时间：2010年 建筑设计：非常建筑 项目主持设计：张永和 项目负责人：刘鲁滨 项目团队：王兆铭，刘阳，张宇，施超，仇玉骙 室内设计：李玮珉 摄影师：舒赫，尼克·勒豪克斯 业主：上海青晨房地产开发有限公司



The Bay Garden is located at Qingpu District, Shanghai. The site was once used as a fishpond of nearly 45 hectares, with an ideal ecological environment. In the breeding season, a large number of water birds perched there. The parcel is situated at the Island B, with altogether 20 houses of five types. The building areas above ground vary from 514 square metres to 1,022 square metres. In this design, the architects tried to bring together the architecture and the context. The latter is both natural and cultural - water is a key element of the architectural tradition in South China. Meanwhile, the contemporary



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Master Plan 总平面图



lifestyle and construction condition determine that the architecture will not be a mere repetition of the tradition. Thus, the design was developed with a set of keywords - disperse, courtyard and garden. Disperse To take apart the different functions of a villa and then reorganise them into small groups. This move makes one building more of a combination of several buildings. In this way, good ventilation and daylight are ensured in more rooms, which fits the humid and rainy climate of the locality and also blends the space inside and scenery outside. Courtyard The regrouped villas embrace several enclosed and half-enclosed courtyards of different sizes, providing the inhabitants with livable outdoor spaces. Garden The landscape from the road to water introduces a leisurely lifestyle to the residents. It also echoes the experience in a traditional southern garden. So far, each villa is a house as well as a miniature garden. People come here for the enjoyment of everyday life as well as sceneries. In form, the gable wall and sloped roof reflect the traditional building elements in the vernacular architecture of the south whereas the untraditional construction materials - grey stone, aluminium alloy doors, windows and roofing, a steel channel that frames the wall, etc. - are a new interpretation of the regional heritage.



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涵璧湾花园地处上海青浦区，为度假别墅，用地原为养鱼塘，拥有近 43公顷天然湖面。繁殖季节，有大量水鸟在此栖息，生态环境良好；该地块 位于园区北侧B岛，共20栋，5种户型，地上规模514~1022平方米不等。



分：化整为零，将建筑内部各功能进行拆分重组，使一个建筑更像若 干个建筑的集合；由此，可以使更多房间前后通透，获得良好通风、采光 质量，适应当地阴湿多雨的气候， 同时与室外空间与景观更紧密地咬合。



设计中，设计师希望建筑和环境融为一体。这个环境既是自然的也是 人文的：水是当地自然环境中的要素，江南建筑传统是这里人文环境的主 线。同时当代的生活方式和建造条件也注定我们的建筑不可能是传统的简 单重复。由此，设计围绕三个关键词展开—“分”、“院”和“园”。



院：拆分重组后的房与房之间，形成多个不同尺度的围合、半围合 院，提供给住户可居的室外空间。



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园：从路到水的景观系列引人进入休闲生活的状态，也呼应了传统江 南园林的体验；至此，每个别墅既是一个房，还是一个微缩的园；对它的 使用既是住，也是游。



1. View along the lake 2. Side elevation of unit B2 3. Distant view



形态上，山墙加坡屋顶再次运用江南民居的建筑元素，而非传统材料 做法— 灰色石材、铝合金门窗、铝合金屋面、金属压顶等的运用，又是 对其的重新诠释。



2. B2单元侧立面景致



1. 沿湖景观 3. 远景



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4 4. Front hall of unit B2 5. Entrance of unit B3 6. Detail of hollow wall 7. Courtyard of unit B3 8. Study of unit B3 4. B2单元前厅 5. B3单元入口 6.“空墙”细节 7. B3单元庭院景致 8. B3单元书房



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Ground Floor Plan: 1. Entrance 2. Foyer 3. Dining room 4. Living room 5. Bathroom



一层平面图： 1. 入口 2. 玄关 3. 餐厅 4. 客厅 5. 卫生间



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二层平面图： 1. 主卧室 2. 卫生间 3. 卧室



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FRAGRANT HILL QINGQIN



Haidian District, Beijing Beijing Sunlay Design Group Co., Ltd 香山清琴 北京市 海淀区 三磊设计 Gross Floor Area: 112,500m2 Design/Completion Time: 2006/2008 Architect: Beijing Sunlay Design Group Co., Ltd. Design Principle: ZHANG Hua Photographer: Courtesy of the architect Client: Beijing Xing Young-Key Real Estate Development Co., Ltd. 建筑面积：112500 平方米 设计 / 建成时间：2006 年 /2008 年 建筑设计：三磊设计 设计总监：张华 摄影师：图片由建筑师提供 业主：北京兴荣基房地产开发经营有限公司



Fragrant Hill Qingqin is located at the foot of Fragrant Hill in Beijing. With a site area of 253,000 square metres, the project consists of 151 detached and semi-detached houses, each with a 700- to 1,200-square-metre independent courtyard and garden. Built leaning against the hill, the houses highlight orderly layout, enclosed courtyard, freely designed façade and diversified corridors. Moreover, the slope and flat roof “work” together to define the undulating skyline. The masterplan scheme includes an annular main road with greenway beside, which is the dynamic core of this community. Distinguishable detached houses with multiple courtyards are designed along the road. The clubhouse and other facilities are close to the north entrance. In the east area of the site, there are commercial zones with retails and public service facilities. Semi-detached houses are designed in Chinese traditional style with grey exterior walls, wood structural elements as well as slope roofs which provide high quality living and leisure spaces. Supporting facilities Business club: Located at the east entrance of the residential area, the club includes a café, restaurant, department store and business centre in order to provide all conveniences for the residents. Children activity centre: Located at the south of the residential area, the activity centre is a wonderland for children. The outdoor facilities include leisure pools, playground, hill, and mountain bike path. The indoor facilities include a table tennis gym, fitness centre, billiard room, library, and play house. The aged activity centre: Located near children activity centre, it is a place for the aged to entertain.



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总平面图



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4 1. View along the street 2. View from aside 3. Front elevation 4. View of semi-detached villa 5. Partial View of Roof 6. Buildings viewed along the street 1. 沿街景象 2. 沿街一侧景象 3. 正面 4. 双拼别墅户型 5. 屋顶局部景象 6. 沿街看两侧建筑



Elevations 立面图



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香山清琴位于北京香山脚下四季青乡门头村。占地 25.3 万平方米，仅 151 栋别墅，每栋建筑拥有 700 ~ 1200 平方米的私家院落和花园，依山而 筑，错落有致，围合庭院，大写意的立面设计，丰富的穿廊灰空间，坡屋 顶和平屋顶勾勒起伏的天际线。总平面规划以一条自由曲线环状主干道与 其街旁绿化相结合形成贯穿整个小区的动态核心，独立而具特色的多层院 落住宅沿街而居，形成鲜明的独有居住文化特色。 小区北侧入口区域设有会所等配套设施，用地东侧设有独立配套公建 区域，与区内商业网点形成本区的主要商业及公共服务网络。住宅为双拼 别墅，在会所内设计小区配套设施。建筑造型以中式造型手法为基础，中 式建筑特有的灰色外墙、木色构件、坡屋顶勾勒出清静典雅的建筑意境， 拥有较好的建筑品质。 Roof 屋顶



配套设施 商务会所：位于园区东主入口，主要是为业主生活提供便捷服务，会 所中拟设咖啡厅、餐厅、小型超市、商务中心等功能。 儿童活动中心：位于园区西南侧，是一个充满童趣的乐园。室外设施 有儿童露天戏水池、户外运动场、迷你山丘、山地自行车专用道等。室内 设施有乒乓球室、健身房、台球室、图书文化室、儿童游戏室。 老年会所：在儿童活动中心旁，为老年人提供的专属休闲养生场所。



Section 剖面图



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Underground Floor Plan (A): 1. Facility room 2. Warehouse 3. Bathroom 4. Laundry 5. Storeroom Underground Floor Plan (B): 1. Facility room 2. Warehouse 3. Bathroom 4. Laundry 5. Storeroom First Floor Plan (C): 1. Balcony 2. Master bedroom 3. Bathroom 4. Cloakroom 5. Secondary bedroom Second Floor Plan (D): 1. Master bedroom 2. Storeroom 3. Main bathroom 地下一层平面图 (A): 1. 设备用房 2. 储藏 3. 卫生间 4. 洗衣房 5. 储藏间 一层平面图 (B)： 1. 玄关 2. 起居室 3. 餐厅 4. 厨房 5. 卫生间 6. 水池 二层平面图 (C)： 1. 阳台 2. 主卧 3. 卫生间 4. 衣帽间 5. 次主卧 三层平面图 (D)： 1. 主卧室 2. 储藏 3. 主卫



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LAKE SIDE



Xianghe, Hebei Province Sunlay Design 鹭湖 河北省 香河 三磊设计 Gross Floor Area: 225,308m2 Completion Time: 2010 Architect: Sunlay Design Photographer: Courtesy of the architect 建筑面积：225308 平方米 建成时间：2010 年 建筑设计：三磊设计 摄影师：由建筑师提供



“Return to nature after a long time in place of confinement” ... Returning to My Farm by TAO Yuanming, a famous poet in China who advocates an idyllic life



Bird's-eye View 鸟瞰图



About 1,500 years ago, TAO Yuanming, a famous poet in China, began his philosophy of life by returning to nature. From that time on, many Chinese scholars have been living in such a way in order to achieve inner peace. Architects of this project take inspiration from idyllic life and based on the context of the site, they seek to build ideal living space for those who would like to live close to nature. The design focuses on the integration with nature. After a deep research of the surrounding environment, the architects make full use of the existing typology of the site to create a public lawn which provides a nice place for residents’ communication and entertainment and then upgrade the living quality of the entire residential neighbourhood. The house is built with a grey block as foundation and white balconies as horizontal connection elements. In addition, the houses differ from each other in materials and roof colours. Together, these houses create a fresh and elegant environment. Red terra cotta tiles, shingles and aluminium panels form a sharp contrast with the grey block and white balconies and at the same time bring in touches of vividness and freshness.



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“久在樊笼里，复得返自然” —《归园田居》 陶渊明 一千五百年前，陶潜将人生哲学映射到归隐田园，与山水为伴的境 界。此后的千百年，中国文人以“归隐哲学”做为自己的寄托，将生活与 精神寄予自然，获得心灵上的平静与淡然。结合项目所处的区位环境，为 成就千百年中国文人脱离喧嚣、归隐山水的精神情节提供了理想场所。



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项目秉承“师法自然”、与环境相融合的设计理念。通过对场地周边 环境的研究解读，明确了以大地肌理作为规划设计模板，形成丰富的规划 肌理，并结合用地进行的住宅布置使多余的边角用地成为公共景观绿地， 为居住者提供了交流、游憩的场所，提升了住区的整体居住生活品质。 建筑以灰色体块为基底，白色阳台为横向联系；灰白色系体块上搁置 不同材质，不同颜色的坡屋顶小屋，构成了别墅区整体淡雅清新的基调。 本色质朴的红色陶瓦、木瓦以及金属质感的铝板体系为庄重典雅的灰白基 调带来些许的活跃与惊喜，并将三层高的建筑分解，使之降至宜人尺度。



1. West elevation of semi-detached villa 2. Front elevation of townhouse 1. 双拼别墅西立面 2. 五联拼住宅正面



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5 3. Front elevation of semi-detached villa 4. Bird’s-eye view rendering 5. Back elevation of semi-detached villa 3. 双拼别墅正面 4. 鸟瞰效果图 5. 双拼别墅背面



Roof Detail of Townhouse



Roof Plan



五联拼住宅屋顶细节



屋顶平面图



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Ground Floor Plan: 1. Living room 2. Dining room 3. Western-style kitchen 4. Chinese-style kitchen 5. Bathroom



一层平面图: 1. 客厅 2. 餐厅 3. 西厨 4. 中厨 5. 卫生间



First Floor Plan: 1. Terrace 2. Study 3. Master bedroom 4. Main bathroom 5. Cloak room 6. Bedroom



二层平面图： 1. 露台 2. 书房 3. 主卧室 4. 主卫 5. 衣帽间 6. 卧室



Second Floor Plan: 1. Roof garden 2. Master bedroom 3. Main bathroom



三层平面图： 1. 屋顶花园 2. 主卧室 3. 主卫



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Rendering 效果图



East Elevation 东立面图



North Elevation



北立面图



Rendering 效果图



West Elevation 西立面图



South Elevation 南立面图



Rendering 效果图



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THE MERGED-IN-MOUNTAIN HOUSES OF SPRING VALLEY RESORT BEIJING Beijing WSP Architects



北京中信国安会议中心默山宅 北京 维思平建筑设计 Gross Floor Area: 1,425m2 Design/Completion Time: 2005/2008 Architect: WSP Architects Photographer: Misae Hiromatsu, SONG Yuming Programme: Detached house with courtyard 建筑面积：1425平方米 设计/建成时间：2005年/2008年 建筑设计：维思平建筑设计 摄影师：广松美佐江，宋昱明 项目性质：庭院式独立住宅



The site is located in a valley sloping from southeast to northwest. The two single-family houses are just situated in the south-facing hillside next to beautiful poplar trees growing in the middle of the valley. From these two south-facing houses, one can see another twelve courtyardstyle guest-houses within the community, poplar trees in the south and the hills in the background. With the roof surfaces parallel to the hillside, the houses with their volumes appear being imbedded into the hill. The threestorey volume descends according to the terrain. Only one-third of the volume is exposed through the façades. The houses blend themselves into the natural landscape, as homage to the hill, stones and trees. In consideration of height differences in the interior, six courtyards with particular functions are arranged. By connecting itself to the entrance corridor, the independent tearoom in the south stretches out from the main volume and encloses the entrance courtyard and main courtyard together with the huge pitched roof. The function areas are divided into four



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horizontal volumes according to the type. Leaning to the terrain, the pitched roof is the extension of the south façade. The seven big roof openings matched to the six courtyards are actually the south viewing windows on the façade. The building is reinforced concrete shear wall construction, with roughsurface granite hung on the outer wall surface and the roof. Wooden grating and painting are employed in the outer wall towards the inner courtyard. The south enclosure also has openable wooden louvres controlling views to inside and outside. GSHP (Ground Source Heat Pump System) is used to provide energy for the hot water floor radiant heating of the building. Insulation and an air cavity are set between the concrete wall (inside) and granite (outside). These four layers together constitute the outer wall. In order to improve the energysaving effect, WSP Architects have chosen thermally separated aluminium window frame and insulating glass in the window components.



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1. Houses in harmony with the typology 2. Houses merged into natural surroundings 1. 建筑与地势和谐 2. 默默融入大自然的默山宅



该住宅项目基地坐落在一个从东南向西北方向跌落的谷地里，谷地中 部是一片优美的杨树林。本设计的两栋独立式住宅刚好坐落在紧挨这片杨 树林的北面山坡上。 两栋住宅均坐坡向阳，可以俯瞰群落的其他十二栋庭院式客房、南面 的大片杨树林和远山的广阔风景。屋面的设计采用了与山坡坡度相同的坡 顶，一部分体量没入了山体里。三层的布置以依山势而“跌落”的设计手



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法，外围的立面展示的只是一层高的体量，让位于山、石和树，住宅默默 地隐入进大自然。 住宅内部在不同高度布置了6个庭院，功能各不同。南面独立的茶室通 过入口连廊从主体中延伸出来，与大坡屋面一起围合了主入口庭院和主庭 院。不同功能按类型分为4个横向体积，依山而落。坡的屋面是垂直南向立 面的延伸，6个院落对应的7个大的屋面漏空，其实是立面向南的大窗景。



建筑为混凝土剪力墙结构。外墙面和屋顶均外挂毛面花岗岩，面向内 庭院的外墙采用了木格栅和涂料，南面围合的院墙也设置了遮挡外部视线 可开启的木格栅。 建筑使用了地源热泵低温热水地板辐射采暖；外墙在混凝土墙和外挂 花岗岩之间是保温层和空气层；门窗也采用了铝合金框材和中空玻璃，以 加强项目的节能效果。



199



3 3. Poplar trees in front of the house 4. Snowscape 5, 6. Exterior views 7. Inner courtyard and corridor 8. Wooden grids in the courtyard 9,10. Terrace leading to the outside 3. 默山宅前保留的白杨树 4. 默山宅雪景 5,6. 默山宅局部外景 7. 内庭院与游廊 8. 建筑内庭院的木质格栅 9,10. 通向室外的二层平台



4



200



Section 剖面图



2



Floor Plan: 1. Bedroom 2. Bathroom



5



1



2



2



1



平面图： 1. 卧室 2. 卫生间



6



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7 7. Inner courtyard and corridor 8. Wooden grids in the courtyard 9, 10. Terrace leading to the outside 7. 内庭院与游廊 8. 建筑内庭院的木质格栅 9, 10. 通向室外的二层平台



202



8



9



10



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11 11. General view of single house 12. Houses in harmony with the surrounding landscape regarding materials 11. 建筑单体全景 12. 建筑与景观材料的语言统一



Elevations 立面图



204



12 Floor Plans (Three Below): 1. Bedroom 2. Bathroom 3. Living room 4. Dining room 5. Lobby 6. Kitchen 7. Study 8. Storerom



平面图（下方三图）： 1. 卧室 2. 卫生间 3. 客厅 4. 餐厅 5. 大堂 6. 厨房 7. 书房 8. 储藏室



2



2 1



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205



MOMA WANWANSHU



Shunyi District, Beijing Beijing Sunlay Design Group CO., Ltd. 万万树MOMA 北京市 顺义区 三磊设计 Gross Floor Area: 99,957m2 Completion Time: 2008 Architect: Beijing Sunlay Design Group Co., Ltd. Design Team: ZHANG Hua, LI Jiangyuan Photographer: Courtesy of the architect Client: Beijing Dongjun Real Estate Development Co., Ltd. Structure: Composite steel frame-reinforced concrete infill wall structure 建筑面积：99957平方米 建成时间：2008年 建筑设计：三磊设计 设计总监：张华，李江源 结构体系：钢筋混凝土剪力墙结构 摄影师：图片由建筑师提供 业主：北京东君房地产开发有限公司 结构：钢筋混凝土剪力墙结构



This sustainable residential block (Phase 2) was developed at Gaoliying County, Shunyi District, with convenience transportation services and wonderful natural landscapes. This project is a low energy consumption residential community. Energysaving materials are used for building envelope. Other appropriate architectural technologies are utilised such as roof-ceiling thermal radiation system, full-fresh-air ventilation system, assistant humidifying control system, heat recovery system, reclaimed water system, external shading system, heat preservation system, and shape coefficient control method. Furthermore, the constant temperature and humidity indoor environment is ideal and comfortable for living. The building shape is pithy and formal as well. Both white stone façade decoration and green roof design make the buildings in the area become a part of natural environment. Site Plan



206



总平面图



1



207



2 高丽营住宅小区二期工程位于北京市顺义区高丽营镇，南邻顺沙路及 北六环，东接火寺路，西邻方氏渠，交通便利，自然景观较好。



1. Sunken courtyard 2. Sales office 1. 下沉庭院



本工程为节能型住宅，采用结构顶板低温热辐射系统、全新风系统、 湿度调节系统、热回收系统、中水系统、外门窗外遮阳系统、建筑保温体 系、控制单体体形系数以及采用节能建材等技术措施，在节省能源的前提 下，提高住宅的居住品质，实现室内恒温恒湿的居住效果。



2. 售楼处



建筑形体简洁、方正。外墙采用粘贴白色石材，色彩轻快、干净；单 层屋面均设屋顶绿化，及增加了屋面的隔热效果，又美化了生活环境。



Elevations 立面图



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Elevations 立面图



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3



Section 剖面图



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4 3, 4. Entrance of courtyard 5. Exterior wall 3, 4. 庭院入口 5. 外墙



Section



剖面图



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5 1. 40mm-30mm natural stone coping 20mm waterproof mortar protective layer 4mm BAC waterproof double-sided self-adhered membrane 20mm 1:2.5 cement mortar screeding 60mm extruded insulation board Reinforced concrete wall 2. 40mm C15 fine aggregate concrete protective layer 4mm BAC waterproof double sided self-adhered membrane 20mm 1:2.5 cement mortar screeding 30mm fine aggregate concrete along drains of 2% slope 300mm extruded insulation board Reinforced concrete slab 3. Drip line 4. 120mm natural stone 20mm cement mortar filler 100mm extruded insulation board Reinforced concrete wall 60mm extruded insulation board 20mm cement mortar screeding 4mm BAC waterproof double-sided self-adhered membrane 20mm cement mortar protective layer 5. HAT55/42 cast-in channelled steel 6. 100x100x6 bracket 7. 180x180x8 angle iron 8. 50x50x5 bracket 9. 120x120x6 angle iron 10. Stone window surround 11. Metal plate banding 12. Sunshade rolling screen 13. 40mm-30mm natural stone coping 20mm waterproof mortar protective layer 4mm BAC waterproof double sided self-adhered membrane 20mm 1:2.5 cement mortar screeding 60mm extruded insulation board Reinforced concrete wall 14. Planting soil backfill 20mm cement mortar protective layer 4mm BAC waterproof double sided self-adhered membrane 20mm cement mortar screeding 60mm extruded insulation board Reinforced concrete wall 100mm extruded insulation board 20mm cement mortar filler 120mm natural stone 15. Laminated tempered colourless glass panel 16. 40-50mm stone window surround 10mm waterproof float work 50mm extruded insulation board 4mm BAC waterproof double-sided self-adhered membrane Reinforced concrete wall 17. Ship-and-galley tile Plain cement paste 20mm 1:4 cement mortar screeding 40mm C15 fine aggregate concrete protective layer 4mm BAC waterproof double-sided self-adhered membrane 20mm 1:2.5 cement mortar screeding 30mm fine aggregate concrete along drains of 2% slope 300mm extruded insulation board Reinforced concrete slab 18. 12mm plaster board 19. Sunshade rolling screen



212



1. 40-30天然石板压顶 20防水砂浆保护层 4厚贴必定BAC双面自粘防水卷材 201:2.5水泥砂浆找平 60挤塑板保温层 钢筋混凝土墙体 2. 40厚C15细石混凝土保护层 4厚贴必定BAC双面自粘防水卷材 201:2.5水泥砂浆找平 最薄处30厚细石混凝土向排水口找2%坡 300厚挤塑板保温层 钢筋混凝土楼板 3. 滴水线 4. 120天然石材 20水泥砂浆灌缝 100挤塑板保温层 钢筋混凝土墙体 60挤塑板保温层 20水泥砂浆找平 4厚贴必定BAC双面自粘防水卷材 20水泥砂浆保护层 5. HAT55/42铸入式槽钢 6. 100x100x6角码 7. 180x180x8角铁 8. 50x50x5角码 9. 120x120x6角铁 10. 石材窗套 11. 金属板封边板 12. 遮阳卷帘 13. 40-30天然石板压顶 20防水砂浆保护层 4厚贴必定BAC双面自粘防水卷材 201:2.5水泥砂浆找平 60挤塑板保温层 钢筋混凝土墙体 14. 种植土回填 20水泥砂浆保护层 4厚贴必定BAC双面自粘防水卷材 20水泥砂浆找平 60挤塑板保温层 钢筋混凝土墙体 100挤塑板保温层 20水泥砂浆灌缝 120天然石材 15. 夹胶钢化无色玻璃栏板 16. 40-50厚石材窗套 10厚防水砂浆抹面 50厚挤塑板保温层 4厚贴必定BAC双面自粘防水卷材 钢筋混凝土墙体 17. 10厚防滑地砖 洒素水泥浆 20厚1:4水泥砂浆找平层 40厚C15细石混凝土保护层 4厚贴必定BAC双面自粘防水卷材 20厚1:2.5水泥砂浆找平层 最薄处30厚细石混凝土向排水口找2%坡 300厚挤塑板保温层 钢筋混凝土楼板 18. 12石膏板 19. 遮阳卷帘盒



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5 6 14



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18 19



1. HAT55/42 cast-in channelled steel 2. 100x100x6 bracket 3. 180x180x8 angle iron 4. 50x50x5 bracket 5. 120x120x6 angle iron 6. Drip line 7. Stone window surround 8. Metal plate banding 9. Sunshade rolling screen 10. Broken bridge aluminium-wood composite framed LOW-E insulation glass door (window) 11. 40-50mm stone window surround 10mm waterproof float work 50mm extruded insulation board 4mm BAC waterproof double-sided self-adhered membrane Reinforced concrete wall 12. Planting soil backfill Stone cushion Water transmission board 60mm C20 concrete pavement 100mm C10 concrete cushion 13. Outdoor ground 14. 100 thick adhesive extruded insulation board inserted into 1.650 metres underground level with 50mm XPS plate below 4mm BAC waterproof double-sided self-adhered membrane 100mmk reinforced concrete wall 100mm extruded polystyrene board Self waterproof reinforced concrete side wall 15. 12mm plaster board 16. Sunshade rolling screen box 1. HTA55/42嵌入式槽钢 2. 100x100x6角码 3. 180x180x8角铁 4. 50x50x5角码 5. 120x120x6角铁 6. 滴水线 7. 石材窗套 8. 金属板封边 9. 遮阳卷帘 10. 断桥铝木复合框中空LOW-E玻璃门（窗） 11. 40-50厚石材窗套 10厚防水砂浆抹面 50厚挤塑板保温层 4厚贴必定BAC双面自粘防水卷材 钢筋混凝土墙体 12. 种植土回填 卵石垫层 输水板（20高塑料凸片排水层，凸点向上） 60厚C20混凝土面层 100厚C10混凝土垫层， 外侧宽出面层300， 下皮标高室外地坪500 2:8灰土回填，分层夯实 13. 室外地坪 14. 粘贴100厚挤塑板保温层下 插至-1.650标高处之下为50厚聚苯板保护层 4厚贴必定BAC双面自粘防水卷材 100厚钢筋混凝土墙体 100厚挤塑苯板保温层 自防水钢筋混凝土侧墙 15. 12毫米石膏板 16. 遮阳卷帘盒



1 2 3 4 5



15 16



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12 13



14



1



2 3 4 5



1. 120mm natural stone 20mm cement mortar filler 10 mm extruded insulation board Reinforced concrete wall 2. Drip line 3. Stone window surround 4. 40-50 thick stone window surround 10 thick waterproof mortar sreeding 50 thick extruded insulation board Reinforced concrete wall 1. 120毫米天然石材 20毫米水泥砂浆灌缝 10毫米挤塑板保温层 钢筋混凝土墙体 2. 滴水线 3. 石材窗套 4. 40-50厚天然石材窗套板 10厚防水砂浆找平层 50厚挤塑板保温 钢筋混凝土墙体 5. 滴水线



1. HAT55/42 cast-in channelled steel 2. 100x100x6 bracket 3. 180x180x8 angle iron 4. 50x50x5 bracket 5. 120x120x6 angle iron 6. Drip line 7. Stone window surround 8. Metal plate banding 9. Sunshade rolling screen 10. Broken bridge aluminium-wood composite framed LOW-E insulation glass door (window) 11. 40-50mm stone window surround 10mm waterproof float work 50mm XPS plate 4mm BAC waterproof double-sided self-adhered membrane Reinforced concrete wall 12. Planting soil backfill Stone cushion Water transmission board 60mmC20 concrete pavement 100mm C10 concrete cushion 13. Outdoor ground 14. Waterproof ointment 15. 100mm adhesive extruded insulation board inserted into 1.650 metres underground level with 50 thick XPS plate below 4 thick BAC waterproof double-sided self-adhered membrane 100mm reinforced concrete wall 100mm extruded polystyrene board Self waterproof reinforced concrete side wall 16. 50 thick XPS plate 17. 50 thick XPS plate 4 thick BAC waterproof double-sided self-adhered membrane Waterproof reinforced concrete wall 18. Waterproof reinforced concrete slab 4mm BAC waterproof double 13 sided self-adhered membrane 20mm1:2.5 cement mortar screeding 100mm C15 fine aggregate concrete protective layer Rammed earth 19. 12mm plaster plate 20. Sunshade rolling screen box



15 1. HTA55/42嵌入式槽钢 2. 100x100x6角码 3. 180x180x8角铁 4. 50x50x5角码 5. 120x120x6角铁 6. 滴水线 7. 石材窗套 8. 金属板封边 9. 遮阳卷帘 10. 断桥铝木复合框中空LOW-E玻璃门（窗） 11. 40-50厚石材窗套 10厚防水砂浆抹面 50厚挤塑板保温层 4厚贴必定BAC双面自粘防水卷材 钢筋混凝土墙体 12. 种植土回填 卵石垫层 输水板（20高塑料凸片排水层，凸点向上） 60厚C20混凝土面层 100厚C10混凝土垫层， 外侧宽出面层300， 下皮标高室外地坪500 2:8灰土回填，分层夯实 13. 室外地坪 14. 防水油膏 15. 粘贴100厚挤塑板保温层 下插至-1.650标高处之下为50厚聚苯板保护层 4厚贴必定BAC双面自粘防水卷材 100厚钢筋混凝土墙体 100厚挤塑苯板保温层 自防水钢筋混凝土侧墙 16. 50厚聚苯板保护层 17. 50厚聚苯板保护层 4厚贴必定BAC双面自粘防水卷材 自防水钢筋混凝土侧墙 18. 自防水钢筋混凝土底板 4厚贴必定BAC双面自粘防水卷材 20厚1:2.5水泥砂浆找平层 100厚C15细石混凝土垫层 素土夯实 19. 12毫米石膏板 20. 遮阳卷帘盒



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19 20



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6 6. Inner courtyard 7. Lotus pond 8, 9. Living room 6. 内庭院 7. 荷花池 8, 9. 客厅



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8 2



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7 6 5



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3



Underground Floor Plan: 1. Window well 2. Servant room 3. Family room 4. Bathroom 5. Storeroom 6. Lounge 7. Facility room 8. Laundry



3



4



5



First Floor Plan: 1. Master bedroom 2. Main bathroom 3. Dressing room 4. Bedroom 5. Study



Ground Floor Plan: 1. Courtyard 2. Living room 3. Bedroom 4. Dining room 5. Bathroom 6. Storeroom 7. Garage 8. Kitchen



地下一层平面图: 1. 窗井 2. 工人房 3. 家庭房 4. 卫生间 5. 储藏室 6. 休息室 7. 设备机房 8. 洗衣房



二层平面图： 1. 主卧室 2. 主卫 3. 更衣室 4. 卧室 5. 书房



4



5



2



1



一层平面图： 1. 小院 2. 起居室 3. 卧室 4. 餐厅 5. 卫生间 6. 储藏室 7. 车库 8. 厨房



2



1



Roof Floor Plan 屋顶平面图



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10



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11



12



10. Dining room 11, 12. Kitchen 10. 餐厅 11, 12. 厨房



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LONGSHAN XINXIN TOWN BEIJING Beijing WSP Architects 北京龙山新新小镇 北京 维思平建筑设计 Site Area: 160,000m2 Gross Floor Area: 108,985m2 Design/Completion Time: 2003/2006 Architect: WSP Architects Design Principal: WU Gang, ZHANG Ying, CHEN Ling Photographer: YAO Li 占地面积：160000平方米 建筑面积：108985平方米 设计/建成时间：2003年/2006年 建筑设计：维思平建筑设计 主设计师：吴钢，张瑛，陈凌 摄影师：姚力



Located in Huairou County, a famous scenic spot and the first large-scale residential area for spending weekend and holiday in Beijing, the project is operated based on the style of Longshan Xinxin Town I, but at the same time, has its own feature. The design addresses dialogue between public and private space, between modern simplicity and natural complexity. In addition, architects aim to combine practical function and artistic element in order to emphasise both individual character and overall integration. The final proposal of “natural village” comes into shape after a comparative analysis, which can showcase the growing process of living community in a vivid and unrestrained way. The design implies the soul of traditional village with the concept of distinct division of area and special emphasis on feature. The existing cross road forms the main axis of the site and divides it into several smaller parts with their own pathways individually. The entire site looks like a green sea with different islands floating on it. The islands are interlinked with each other through pathways. The design of enclosed space usually stretches emphasis on creating feeling of belonging. Thus, the inner courtyard is constructed with spaces for circulation, resting, playing games, sight viewing and enjoying the cool. Moreover, the open courtyard performs as transition space between private residence and public place and provides a common living room for neighbours. The courtyards in different residential communities boast their own “personalities” through difference in flower racks, ponds, landscape walls and arrangements of planting trees, which bring distinctive views for residents.



Site Plan



220



总平面图



The houses differ in volume and form to seek distinct identity and diversified feeling while they share common features in terms of storey height and depth. The double pitch roof highlights a rustic atmosphere, which draws architectural structure and human beings together. Here, architecture serves man and scenery becomes foil to man.



1



221



Elevations 立面图



2



222



Elevations 立面图



223



3 1. Waterscape and detached house nearby 2. Distant view 3. Entrance gate 4. Detail of enclosing wall 5. Private garden 1. 小区中央水景及临水独栋别墅 2. 小区别墅远景 3. 入口大门



4



1



4. 围墙细部



3 2



5. 私家花园



Unit B Basement Floor Plan and Ground Floor Plan (from Left to Right): 1. Entrance 2. Front hall 3. Bathroom 4. Outdoor terrace



224



B户型地下一层平面图 和一层平面图 （从左至右）： 1. 入口 2. 玄关 3. 卫生间 4. 室外露台



4



5



3 2



1



Unit B First Floor Plan, Second Floor Plan and Roof Floor Plan (from Left to Right): 1. Bedroom 2. Cloakroom 3. Bathroom



B户型二层平面图、 三层平面图和 屋顶平面图 （从左至右）： 1. 卧室 2. 衣帽间 3. 卫生间



225



6 6. Landscape alley 7. Entrance of townhouse 8. East elevation of detached house 9, 10. Brick wall as façade and supporting structure



7



226



6. 小区内景观道路 7. 联排别墅入口 8. 独栋别墅东立面 9,10. 既做支撑结构又做建筑表皮的砌块砖墙



8



9 项目位于风景旅游区怀柔县内，作为北京首个大规模建设的供周末及 度假使用的“第二居所”，龙山新新小镇二期在沿袭了一期现代风格的基 础上，又依据自身特色，强调公共空间与私密空间之间、现代简洁与自然 之间的相互协调，并力求体现实用技术与艺术的完美结合，在重点突出个 性的同时也强调了与建筑的协调统一。 经过比较分析，最初的构想发展成为一种类似自然乡村的规划结构， 自由且活泼，模拟出了群体聚落生长的过程。这一结构分区明确、中心突 出，暗含了古典城镇的精髓。 该规划以现有的十字形主路为脊干，将整个用地面积划分为大小不 等的若干个地块，并且每块布置成单独的道路。整个区域如同绿色的海面 上漂浮着一个个自然的小岛，岛屿之间通过道路串联了起来。与围合的空



10 间强调居住者的归属气氛相呼应，内庭院也创造出了包括交通、休憩、游 戏、观景和纳凉等各种使用功能在内的空间场所。开放的内庭院空间在居 住序列上过渡了私密的住宅空间和公共空间，为组团社区提供了一个“邻 里起居室”。 各组团的庭院内花架、水池、景墙、树阵布局各异、形态丰富，赋予 每个组团以可识别的个性，同时在空间上也形成了“起、承、转、合”的 变化和独特的风景院落景致。 建筑体量与形式在个体追求个性和丰富的同时，把握统一的层数与进 深，极具乡村气息的双坡顶分散式、小体量的聚合体更拉近了建筑物与人 的关系。在这样和谐的环境中，建筑是服务于人的，景色成为人的陪衬。 人的生活、活动优美而惬意。



Unit C Elevations



C户型立面图



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11 11. House and landscape 12. North entrance of townhouse 11. 景观与建筑的结合 12. 联排别墅北面入口



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4



12



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QINGHUA VILLAS PHASE I



Zhongshan, Guangdong Province Beijing Sino-Sun Architects & Engineers 中山市清华坊一期规划 广东省 中山市 北京东方华太建筑设计工程有限责任公司 Gross Floor Area: 44,129m2 Design/Completion Time: 2005/2008 Architect: Beijing Sino-Sun Architects & Engineers Collaboration: Newsdays Interior Design & Construction Co., Ltd. Photographer: Courtesy of the architect Awards: First Prize of “China Top 100 Beautiful Residential Projects” in Guangdong, Residential Grand Prize of “2009 100 Years of Architecture”, Cultural Award of “2010 Jinrui Residential Architecture” 建筑面积：44129平方米 设计/建成时间：2005年/2008年 建筑设计：北京东方华太建筑设计工程有限责任公司 合作设计：广州集美组室内设计工程有限公司 摄影师：图片由建筑师提供 奖项：2008“中国最美100个楼盘”广东地区第一名； 2009年度“百年建筑”住宅类综合大奖； 2010年“精瑞住宅建筑”文化奖



Design Principles 1. Modern Chinese style: residential project embodying modern style and Chinese culture; 2. Layout: taking inner courtyard as a core element; 3. Building a quiet, private, tidy, beautiful as well as civilised residential environment suitable for living and communicating with courtyards, green areas and trees all over the community. Site Analysis The master plan includes three parts of A, B, and C and this low-rise townhouse project is located in part A with a site area of 130,327.3 square metres. To the north, there are mountains and the architecture is required to recede from the property line over 6 metres. To the south, there is a road and the green area should recede from the property line over 4 metres. On the west, a natural lake exists and on the east, there is a factory, receding from the property line more than 10 metres. Overall, with beautiful natural surroundings and a complete net of transportation and public facilities, the site is appropriate for being developed. Layout 1. The design aims to create a tranquil and elegant living environment based on the favourable location and natural scenic context of the site. The houses varying in height are built in a graceful disorder and immersed in green trees. The traditional residential form integrates with the modern architectural style. Sustainability, human-orientation and distinct cultural ambience form the three main features of the project.



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2. Variable interior layouts are proposed on the basis of each house’s position and orientation, making the living room and main bedroom have a good view. In addition, each house has its own back courtyard in order to improve the overall qualities of the community as well as increasing attraction and competitive strength. 3. New-pattern, distinctive and humanised community service and property management space provide an elegant and convenient, comfortable and nice living ambience. 4) Close management is adopted through appropriate allocation of gated entrances to ensure safety inside the community. Planting Design The site is surrounded with green hills and blue waters, lush trees, fragrant flowers and singing birds weaving a favourable context. 1. Each house has an independent garage and private garden on the ground floor. The garden is in perfect harmony with the planting landscape and central lake in the community and can be planned according to the owner’s favourites, further emphasising the “human-oriented” concept and providing a garden-like environment for residents. As for the arrangement of functional spaces, owner ’s taste and requirements are taken into consideration to ensure a comfortable and delightful environment. The backyard garden resembles the courtyard of traditional dwellings while the roof shows the form of garden pavilion. The façades of the houses are decorated with different colours to be fused into the natural surroundings. 2. The central lake as the core of the entire landscape and the mountain



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scenery echo each other at a distance and form a harmonious scene. In addition, with natural landscape and private garden of each house, the community highlights landscape of various levels and full of vitality. 3. Specially designed small garden ornaments and sculptures are placed on the sides of the lanes to form the axis of the landscape as well as increasing cultural atmosphere. The feeling of sequence and diversity of spaces bring residents together. 4. The community club is located on the hillside in B block, which can overlook the entire site and plays with the multi-peaked mountain range. Circulation The relatively flat typology of the site determines the position of the entrances and exits, connected with the central road. The main entrance sits near the lake and is interlinked with the roads of the second phase project. There are two entrances with 5-6 metres distance to the central road. Each house has an indoor garage and only part of the area outside club and commercial buildings is designed with parking to satisfy requirements of firefighting.



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Vertical Planning The site is higher in north and lower in south; therefore, the vertical planning is arranged with the needs of variation of façades, landscape planting and routing of water drainage. In addition, the interior layout of the architectural structures is adjusted according to the site typology and downward direction of public roads in order to reduce the earth volume of the site. Roads inside the community form a coherent relationship with the ones outside. Pipelines The outdoor pipelines include water supply pipes, sewage pipes, rainwater pipes, gas pipes, lighting and electric cables, and telecommunication cables. Engineers of different disciplines connect them to the municipal pipeline system. Moreover, the distribution of these pipelines should satisfy the basic technique requirements and obey the relevant rules regarding minimum space to ensure the normal operation.



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指导思想 1. 现代中式：现代化的中国文化的居住体。 2. 功能布局：以内向性的庭院为居住核心。 3. 处处有庭院、绿地、树，为人们提供一个安静、私密、清洁、美 观、文明的居住与交流的环境。 用地概况 清华坊位于中山市老虎臀规划，分为A区、B区、C区地块，一期为A 区的平缓地带，联排低层住宅部分为一期工程。北为山景，建筑物退缩用 地红线6米以上；南面为规划道路，绿化退缩4米以上；西面为天然湖泊； 东面相邻为厂房，退缩红线10米以上。一期总规划用地面积130327.3平方 米，地理环境优美，道路及市政设施完善，地块平整，利于建设开发。 平面布局 1. 整个小区的地理位置显赫，风景优美。根据这个特点，营造一个园 中有园，宁静致远、优雅恬淡的的优美环境。高低错落的建筑沉没在万绿 丛中，绿意盎然，传统的民居与现代建筑风格相结合的低层低密度生态居 住小区。生态、人性化、独特的文化氛围构成本清华坊的独有的气质。 2. 根据不同的方位和朝向，提供多样化的户型，通过合理的布置，使



每户的客厅、主房朝向好的或较好的景观。每户均配置独立的后花园，充 分结合周围的优良环境，提高本小区的生活品位，增强其市场的吸引力和 竟争力。 3. 通过合理的布局，提供新型、有特色、人性化的社区服务和物业管 理空间，为住户提供高雅、方便、舒适、优美的生活环境。 4. 通过小区对外出入口的合理配置，进行封闭式的管理，提高小区的 生活安全。 绿化设计 本地块处于清幽的青山绿水中，依山傍水，绿树成荫，鸟语花香，拥 有得天独厚的自然环境。 1. 本规划设计是一低层低密度的高尚住宅区，均为联排式，在每户的 底层均设有独立的车库和私家花园，户主可以根据个人的喜好对私家花园 进行自己的个性化设计，与整个小区的绿化景观和中心湖泊相呼应，使人 实现犹如住在公园的美好愿望，充分体现了“以人为本”的设计理念。在 单体设计中充分考虑住户的品位及要求，各个功能房间的布置及相互关系 上，经过精心设计，确保住户在使用上达到一种居住的舒适性，并使其富 于生活情趣。在建筑的后花园处理上，设计师打造了一种高墙深院的传统



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5 民居中庭院的效果。在立面屋顶造型处理上，借鉴传统民居中与园林亭阁 特点，并与现代风格进行相结合。立面的处理采用了极具传统的、具有民 居特色的屋顶。通过采用不同颜色的处理，使建筑融入整个大的自然中， 成为一个有机的整体。 2. 中心湖泊区，为小区主入口也是整个小区的中心景观，与山景遥相 呼应，形成一个和谐整体的效果，结合自然景观和各私家花园的小型园景 形成层次丰富的、有生气的景观空间环境。 3. 小区的环境道路两边，在适当的位置设置有特色的园林绿化小品和 雕塑，增加小区的文化气氛，形成小区内部的景观轴线，具有很强的秩序 感和丰富的个性空间，使住户更加亲近自然，与自然融为一体，并使邻与 邻之间的交往更加亲切、富有情趣性。 4. 整个设计的中心会所放在了B区的半山腰，可府视整个中心景观， 与重重叠叠的山峦相影成戏。



1. Corbie gable 2. Elevations of townhouse 3. Enclosure wall of gate tower 4. Courtyard 5. Porch 6. Cascade 1. 马头墙 2. 联排别墅立面 3. 门楼围墙 4. 天井 5. 盘古门廊 6. 盘古瀑布



交通设计 一期地形相对比较平缓，根据本场地的地形特点，出入口与中心路相 接。主入口设在西边湖泊附近，也与二期路网相通，一期设了两个入口， 距小区主道路5~6米不等。每幢住宅均设了室内停车库，仅在会所及商业 楼设部分室外停车，满足住宅及商铺的停车及消防需要。 竖向规划 本规划场地北高南低，场地的竖向设计主要结合建筑立面的变化，景 观绿化、排水走向等需要来进行设计。为减少场地土方量，建筑物的室内 土沿地势作相应的变化，并结合场地四周市政道路的顺坡方向。小区内的 道路都作相应的调整，保持区内区外道路的连贯性。 综合管线 本工程室外管线包括给水管、污水管、雨水管、燃气管道、照明电 缆、电信电缆管线。各专业依据建设单位提供的市管线规划项目接口位置 与其相接。各类管线在平面综合时，尽量满足一般技术要求及小区地下管 线最小间距相关规定，以保证小区用户的正常运行。



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9 7. Left side to the exhibition hall 8. The existing tree 9. Lobby 7. 盘古左侧 8. 原生乔木的利用 9. 盘古大厅



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10 10. Light coming inside 11. Resting room 12. Living room of show flat 10. 光的运用 11. 盘古休息厅 12. 兰畦客厅



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14 13. Courtyard of show flat 14. Corridor of show flat 13. 梅壑庭院 14. 梅壑回廊合影



Ground Floor Plan (A): 1. Entrance 2. Corridor 3. Bathroom First Floor Plan (B): 1. Bedroom 2. Bathroom



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ARKADIA Wuxi, Jiangsu Province W&R Group 无锡协信阿卡迪亚 江苏省 无锡新区 水石国际 Gross Floor Area: 173,100m2 (A block 110,000m2, B block 63,100m2) Completion Time: 2011 Architect: W&R Group Materials: Stone, natural stone paint, cultural brick Photographer: Courtesy of the architect Client: Wuxi Yuancheng Real Estate Company 建筑面积：110,000平方米（A地块）+63,100平方米（B地块） 建成时间：2011年 建筑设计：水石国际 摄影师：图片由建筑师提供 主要材料：石材、真石漆、文化砖 业主：无锡协信远诚房地产开发公司



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Project Feature The project is located in the core area of Taihu New Town, adjacent to Juqu Road at north, Taihu Circular Road at south, Linghu Avenue at west and a proposed river course at east. With subway line 1 and 4 as well as Hu-Ning Expressway around, the site is of great convenience. In addition, close to Wetland Park and Taihu, it possesses the charming landscape and elegant ecological environment. The design emphasises the concept of “human-orientation and close to nature” and takes full advantage of the site. The houses are south orientated, including different forms of low-rise, high-rise, villa and townhouse. Integrating Shanghai style and Paririe style, the project features the combination of simple ornamental components and colours as well as spaces of various forms to create a comfortable living environment. Moreover, the natural landscape surrounding the houses makes the indoor comfort continuing outside. Design Concept The master plan aims to build a modern living community with new ideas and in a completely new way. The concept stresses to show the guiding function of pre-planning as well as providing an appropriate method of arranging functional spaces and ensuring the practicality of construction by stages. As for environmental planning, architects propose to create a sustainable residential area by combining private house landscape with public natural resources.



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General Planning The Xiujing Road goes through the site and divides it into two parts with A block of 78,577.4 square metres and B block of 57,375.6 square metres. The public spaces include commercial building, green area and leisure structure, separated from the private residential area geographically but connected



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through bushes visually. Difference in height between high-rise and low-rise houses creates a well-spaced outline for the whole community. The building structures are mainly south-facing and southwest-facing to satisfy the requirements of daylight. Each house is designed with a large and open balcony to improve natural ventilation, reducing the use of air conditioners and furthermore ensuring ecological needs.



1. Outdoor swimming pool 2. Front elevation 3. Night view 4. Facade facing the alley 1. 室外游泳池 2. 房子正面 3. 房子夜景 4.房子朝向小径一侧



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Architectural Design A proper proportion of glass windows are adopted, which form a strong contrast with other materials. The design of glass windows and large balconies brings in adequate fresh air and daylight. In addition, the outdoor landscape goes into the interior as well and becomes an integral part, which enriches the visual effect and mental feeling. Diverse colours are selected on different façades to create a fresh feeling. Sunlight shining on the façades is reflected onto other building structures, making the whole community refreshing.



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Underground Floor Plan: 1. Light well 2. Activity room 3. Living room 4. Sunken courtyard 5. Underground parking



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Ground Floor Plan: 1. Bedroom 2. Garden 3. Dining room 4. Sitting room



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一层平面图： 1. 卧室 2. 入户花园 3. 餐厅 4. 起居室



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地下一层平面图: 1. 采光井 2. 活动室 3. 起居室 4. 地下庭院 5. 地下车库



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First Floor Plan: 1. Terrace 2. Bedroom 3. Study 4. Storeroom



二层平面图： 1. 露台 2. 卧室 3. 书房 4. 储藏



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Second Floor Plan: 1. Terrace 2. Bathroom 3. Bedroom 4. Study



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3 项目特色 无锡协信阿卡迪亚占据太湖新城核心版块，位于无锡（太湖）国际科 技园菱湖大道以东。基地北依具区路，西靠菱湖大道，南侧为太湖环路， 东侧为规划河道。地块周边交通等设施完善、便利，地铁1号线、4号线、 沪宁城铁在辐射范围内。同时地块南侧紧邻湿地公园及太湖，距湖岸线仅 500米，拥有一线的太湖景观和优美的生态环境。 项目注重自然环境与人文环境的融合，规划设计遵循“以人为本”、 “亲近自然”的理念，结合实际情况，充分发挥地块优势，转化周边不利 条件。建筑以南向为主，形成舒适安宁的住宅区。建筑形态涵盖低层、高 层、洋房及低层联排住宅等，融合简约海派风格与草原风格，通过简洁的 装饰构件加上色彩的处理，配以多变的形体塑造空间，提供一种舒适的 居住模式。同时，组团内部环境品质、宅前屋后丰富亲切的自然景观的营 造，使家中的舒适延伸至户外，烘托出小区整体居住氛围。 设计理念 总体规划以创造建设现代化居住社区为目的，设计中采用新思路、新 手法，着重体现规划的先导性，合理设定功能布局和分期实施可行性；在 环境规划中结合自身宅间绿化和公共景观资源优势，创造生态绿化的居住 生活家园，创造人性自然社区。



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整体布局 项目分为A、B两个地块，中间有秀景路穿过。A地块总用地面积为 78577.4平方米， B地块总用地面积为57375.6平方米。公共空间过渡到私 有空间的交错互动：公共空间包括集中商业、绿化及休闲运动功能，与居 住组团之间的私有空间将设计适当的分隔。但又以绿化灌木等予以连贯， 形成空间之交错互动。利用高层住宅及低层住宅之高差，不仅提供了高低 错落的建筑群体轮廓，同时也增加了建筑不同层面的环境空间。建筑朝向 以南向偏西为主，局部为正南向布置，均能满足江苏省的日照朝向要求。 单体设计突出每户的通风和阳台布置，增加空气对流，利用天然通风，减 少因空调的大量使用所造成的资源浪费，满足环保的需要。 建筑设计 单体设计利用适当比例面积玻璃窗及局部变化的材质产生强烈的虚实 对比。适当面积的玻璃窗及宽敞的大露台除了带进大量新鲜空气和充足阳 光外，还将室外景观引入室内成为室内不可或缺的一部分，使室内空间与 室外环境相互融合，丰富了整体的视觉效果和心理感受。建筑色彩选择在 统一的基础上，各建筑立面采用不同的颜色，他们可帮助改善环境形态， 沉稳大气的建筑色彩可将照射于外墙的阳光反射到其他建筑群体上，使整 个小区建筑群体外观鲜明光亮，清爽宜人。



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ZHENGZHOU NEW UNITED TOWN



Zhenzhou, Henan Province Beijing Sino-Sun Architects & Engineers 郑州联盟新城 河南省 郑州市 北京东方华太建筑设计工程有限责任公司 Site Area: 53,481.082m2 Gross Floor Area: 43,808.63m2 Design Time: 2005 Architect: Beijing Sino-Sun Architects & Engineers Collaboration: Newsdays Interior Design & Construction Co., Ltd. Photographer: Courtesy of the architect 占地面积：53481.082 平方米 建筑面积：43808.63平方米 设计/建成时间：2005年/20?年 建筑设计：北京东方华太建筑设计工程有限责任公司 合作设计：广州集美组室内设计工程有限公司 摄影师：图片由建筑师提供



Design Requirement The project is required to last 50 to 100 years with seismic fortification intensity of 7 degrees. In order to satisfy the requirements of high-end and modern living requirements, the U-Town project boasts simple form, fresh and distinct Chinese style as well as fine outdoor environment.



Layout Programmes: The project is composed of four parts, including club, multistorey residential area, low-rise residential area and a central square. Lowrise houses perform as the central part and form the skeleton of the entire project. The club is an independent structure adjacent to the secondary entrance, being linked conveniently with other parts. The multi-storey residential area approaches the main road of the city to the north. All the public and functional spaces are located on the north side to stop the noise and at the same time to enrich the form of the building. Besides, all the rooms are south oriented, with garages in the semi-basement. Layout Features: On the basis of programmes, the low-rise houses are mainly in the form of “courtyard in courtyard”. The semi-public courtyard and private courtyard are connected by lanes. Diversified spaces are formed through the combination of walls, trees and buildings in order to regenerate the traditional Chinese living styles. Individual Houses: 1. Individual houses are designed with two basic forms both with a courtyard as the central element: front yard and back yard as well as front yard and atrium. Different forms are generated based on the basic ones to create various living environments. 2. The main rooms are south oriented and rooms facing the courtyard have large windows in order to ensure natural lighting and good ventilation. 3. Adequate space for tube well is preserved to satisfy future needs.



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Architectural Style 1. The concept is to create Chinese-style houses in an abstract way rather than in physical form. 2. Traditional Chinese materials such as black bricks and blue stones and modern materials like concrete, metal and glass are used. 3. Modern design methods are employed to show features of modern time.



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2 Planting The green space system includes public green space, green land next to residential houses, green space attached to roads and green space as public building complement. The low-rise house with independent entrance and courtyard is the main residential form, and thus the green land next to residential house covers an area of 11,905.9 square metres, which shows the inward feature of traditional Chinese architecture. Public green space of 3,263.3 square metres is built in the centre of the residential area to satisfy the needs of residents and to create an intimate and natural environment. Besides, the design combines green land with square. On the basis of semidry and semi-humid climate characteristics in Zhengzhou, water landscapes are brought in to create a more humid micro environment. Suitable plants and floor-covering materials are selected, which makes the buildings and the surroundings integrate into a whole.



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1. Grassland in front of the house 2. House view from grassland 3. Watescape 1. 住宅前面的绿地 2. 从绿地看住宅 3. 水景



3 设计要求 本项目为二级建筑耐久年限（50~100年），抗震设计烈度为7度，主 要满足现代高档中式住宅的功能要求。建筑外形简洁、清新而富有中国韵 味，有一个良好的室外环境。 平面布局 1. 功能分区。按其功能要求可分为会所区、多层住宅区、低层住宅区 和中心广场区四大部分。其中，低层住宅是项目主体，构成现代中式大院的 构架。会所区靠近次入口处，既相对独立又与其他部分有方便的联系。多层 住宅区靠近北面城市主干道，其交通核心筒设在北面，既有效阻挡噪音，也 丰富了建筑的形体。多层住宅主要房间均为南向，车库设在半地下室。 2. 布局特色。在深入分析功能构成的基础上，低层住宅的主要户型均 采用院子套院子的模式，由半私密的公共院子与私密庭院组成，用巷道把 它们联系在一起，这样巷道空间就产生了丰富的变化。通过墙、树、建筑 所围合的各个空间，试图找回久已失去的中国生活方式。



建筑风格 营造一种意向中式住宅，而非具象中式住宅。 1. 根据中原地区的传统建筑或构件进行取舍，并置、抽离和改造。 2. 使用中国传统材料如青火砖、青石等以及现代朴素的材料如素混凝 土、金属材料、玻璃等。 3. 采现代主义设计手法来体现现代化的商品特征。 绿化设计 绿地系统包括公共绿地、宅旁绿地、道路绿地及公建配套绿地四类。 由于小区内住宅以独门独院的低层住宅为主，所以宅旁内庭院绿地所占比 重较大，为11905.9 平方米，充分体现了中式建筑的内向型建筑风格。同 时为了满足现代人的生活需求，给人们营造一种亲切自然的氛围，在小区 中央设置了3263.3 平方米的公共绿地。将绿地与广场结合设计并结合郑州 市半温润半干旱的气候特点，局部设计水体以形成降温、增湿的微气候环 境。并选择适宜的树种，适宜的地面材料，使得建筑与环境融为一体，满 足现代人群的审美情趣。



3. 住宅单体。a) 以庭院为核心布置功能，分为前院加后院，前院加中 庭两种模式。在两种模式上生出多种变化，构成多样生活的背景。b) 通过 平面设计的变化，将主要用房面向南面，向庭院的房间尽量扩大窗户，以 达到良好的通风采光与景观效果。c) 单体平面中预留有足够的管井空间适 应未来发展变化的要求。



251



4 4. Lane between houses 5. View along the road 6. Black brick elevation 4. 住宅间的小径 5. 住宅沿街景象 6. 青砖立面



Elevations 立面图



252



Sections 剖面图



5



6



253



7. House with an independent courtyard 7. 带有独立庭院的住宅



7



254



Elevations 立面图



Section 剖面图



Floor Plan: 1. Open balcony 2. Dining room 3. Kitchen 4. Foyer 5. Living room 6. Bedroom



平面图： 1. 开敞阳台 2. 餐厅 3. 厨房 4. 门厅 5. 客厅 6. 卧室



1 2



1 3



3 4



2



3



2



2



3



4



6



6



5



5



6



6



5



5



6



6



5



255



INDEX 索



引



008／014／022



张雷联合建筑事务所



120



AZL Architects www.azlarchitects.com [email protected]



026



李晓东工作室



Li Xiaodong Atelier lixiaodong.net [email protected]



032／070



欧华尔顾问有限公司



Oval Partnership www.ovalpartnership.com [email protected]



104／174



非常建筑



Atelier Feichang Jianzhu http://www.fcjz.com [email protected]



110



上海现代建筑设计（集团）有限公司现代都市建筑设计院



Shanghai Xian Dai Architectural Design (Group) Co., Ltd. UD Architectural Design Institute http://www.xd-ad.com.cn



256



北京新纪元建筑工程设计有限公司



Beijing New Era Architectural Design Ltd. www.bjxinjiyuan.com [email protected]



182／206



三磊设计



Beijing Sunlay Design Group Co., Ltd. www.sunlaydesign.com [email protected]



230／248



北京东方华太建筑设计工程有限责任公司



Beijing Sino-Sun Architects & Engineers www.sino-sun.com [email protected]



维思平建筑设计



WSP Architects http://www.wsp.com.cn [email protected]



090



138／156／166



朱锫建筑事务所



Studio Pei-Zhu www.studiopeizhu.com [email protected]



082／196／220



许李严建筑师事务所



Rocco Design Architects Limited http://www.rocco.hk [email protected]



陶磊建筑工作室



Tao Lei Architectural Studio [email protected]



060



132



马达思班



MADA s.p.a.m. www.madaspam.com www.madaspam.com



038／052



方体空间



[email protected] Atelier Fronti www.fronti.cn [email protected]



246



水石国际



W&R Group www.shuishi.com [email protected]