Ambillah & Trimalah Score PDF [PDF]

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AMBILLAH DAN TRIMALAH



                                                                                  



Lyrics by St. Ignatius of Loyola



Piano



Music by Onggo Lukito



 



 



                         Bariton              Am - bil-lah dan t'ri - ma -lah s'lu - ruh ke- mer - de - ka - an - ku, ing - at - an- ku dan pe 6



Piano



A



 



 A   



  



  







   







 



 



         Tenor   S'lu - ruh                  Bariton      ker - ti - ku dan se - lu- ruh ke - hen - dak - ku. S'lu - ruh         Bar.   B



11



Piano



 



S'lu - ruh



 



  



   



   



 



       



 



B



  



       



  



  



 



hi- dup - ku



dan s'ga



  



 



hi- dup - ku



dan s'ga



hi- dup - ku



dan s'ga



  



 



               



Copyright © 2009 by Onggo Lukito



 



2



  Tenor    Bariton    Bar.  16



 







la



 



la



la



  



 



    



mi-lik - ku



yang Kau



mi-lik - ku



 



yang Kau



    



  



 



  



  



mi-lik - ku



yang Kau



be- ri- kan pa



-



be- ri- kan pa



-



be- ri- kan pa



                       Piano            C 20           Tenor            rah- kan pa - da - Mu se - tu - rut ke hen- dak - Mu. Tu - han   Bariton                rah- kan pa - da - Mu se - tu - rut ke hen- dak - Mu.                Bar.           



rah- kan pa - da - Mu



Piano



Tenor



Piano



23        ri- kan- lah



se - tu - rut ke hen- dak - Mu.



    



          



      



                  



cin - ta



ka - sih dan ber - kat Mu.



    C



da - ku,



ku- se



   



      da - ku,



ku- se



da - ku,



ku- se



         



    



ku-mo - hon be -



    



   



   



                               



-



   



Ma - ka



   



   



   cu - kup -lah



               



3



       ba - gi- ku, 27



Tenor



Piano



       



D







tia- da la- in yang ku-ing - in - kan,



                   







  oh Tu - han.



                              



        



D







       



                                                               



31



Piano



   Tenor     Bariton   Am 35



Bar.



E



  







Aa



-



   



bil- lah











   dan







                E      Aa



Piano







t'ri







-



   







   











ma- lah



  



s'lu - ruh



   ke-mer















                          







-



de -



     







4



  Tenor     Bariton    - ka







38



Bar.



Piano







  



an- ku,



  



ing - at











    



-







    



  



an - ku



dan pe - ker















-



 



ti - ku



dan







Aa



                                                       



   Tenor    Bariton    se   Bar. 







41



Piano







Aa



  



-























  



ke - hen







    -



































dak - ku.



                         











  



Tu - han



  lu - ruh



-







F







   



  



  F



ku- mo - hon be-















Tu - han







be



-



Tu - han



be



-







   



   







  



   



               Tenor   ri- kan lah cin - ta ka - sih dan ber - kat Mu. Ma - ka                Bariton   ri - kan - lah cin - ta ka - sih dan ber - kat - Mu. Ma



5



44



Bar.



  



  



ri - kan - lah



Piano



    



cin - ta



          



       ba - gi ku,



Tenor



Bariton



Bar.



      kup ba-gi- ku, ti



  



kup



Piano



 



ba - gi- ku,



ti



              



ka - sih dan ber - kat - Mu.



   







tia- da la- in yang ku-ing - in - kan,



-



-



















a - da



a - da



cu - kup -lah



  - ka



cu



-



 



Ma - ka



cu



-



         



                  



       











              



        



48



  



  



   



   



G



  oh Tu - han.



     











     











yang ku - ing - in - kan



yang ku - ing - in - kan



                              



Aa



Aa



           G       



6



  Tenor    Bariton    52



Bar.



Piano



  



Bariton



Bar.



Piano







 



 



 



  



 



  



 



 







Aaa































Aa











Aa



                                                                      



        56



Tenor



        







       



     



   H



Tu



-



      



han



ku- mo - hon be - ri- kan- lah



     Tu



-



han



ku - mo - hon



     Tu



-



han



 



ku - mo - hon



                           



cin - ta



ka - sih dan



    



   



    



   



be - ri- kan- lah



be - ri- kan- lah



cin - ta



cin - ta



ka - sih dan



ka - sih dan



                           



                                 H



     



       



      



      ber-kat Mu. 60



Tenor



Bariton



    ber



 Bar.   







  



  



 



- kat - Mu. Ma - ka



Bariton



 



cu - kup - lah



 



cu - kup - lah



tia- da la- in yang ku- ing - in-



  



ba - gi - ku,



tia



          



     kan



    kan



kan



   



   



 -



   ba - gi - ku,



tia



                                



 Bar.  



Piano



       



cu - kup- lah ba - gi - ku



  



-



 



   



da



yang ku- ing - in-







   



da



yang ku- ing - in-



        



       



rit.



64



Tenor



   



Ma - ka



ber - kat - Mu. Ma - ka



Piano



7



  







   







oh Tu - han.



     



oh Tu - han.



 











 



 















oh Tu - han.



                      



                     



rit.



    



 



 



    



   



   